Marvel does pay Stan some amount every year, and my understanding is that even without that, Stan's well off enough that he could easily spend his days by the pool working on his tan. He's doing most of the stuff he does now because he loves it and, on some level, I think he just can't keep still for very long. That was certainly the impression he gave when
I talked to him at NYCC.
Anyway, I don't see a lot of sex inherent in the concepts of
Mosaic or
Condor, thought both of them got heavily sexed up in production. From what I gather, he's doing these things "Marvel-style" where he comes up with concepts and stories and other people flesh out the skeleton Stan lays out. I don't really get a solid sense of how involved Stan is with the later stages of the project. He said he gets to approve the final script and the model sheets, but doesn't have much control over the product once it goes to the animation company.
He also never worked directly on any of the animated projects, as far as I can recall. He might have done voiceover narrations for stuff like Spidey & His Amazing Friends, but I didn't think he wrote anything more for them.
As for projects like
Striparella or the Superbunnies stuff, I'm not sure if that was Stan's idea or just the kind of thing anybody would come up with when trying to pitch shows to Spike TV. I mean, they're Spike. I think they must have a mandate that everything on that network has to blow up, have breasts, have blow-up breasts, or have breasts next to things blowing up.
-- Ed