Nobody should be surprised at this outcome.
The third series of The Restaurant has positioned itself at the opposite end of a similar cultural spectrum to where the X-factor sits, in order to justify licence fee payers' expectation of the BBC's 'point of difference'.
X-factor:
Oustanding female singer (Lucy Jones) is eliminated and talented, working-class but totally bland boy is engineered to win by TV-created music mogul with sharp suit and perfectly-enunciated neo-cockney vowels.
Restaurant:
Outstanding working-class chef is humoured into the final, then hammered by talentless toRAB and TV-created cocktail bar-botherer with equally sharp suit and poorly-enunciated neo-franglais vowels.
The chef from the runner-up team was cool, calm, collected and totally professional.
In the final, he delivered almost exactly to his aristocratic client's specification and clearly impressed this amiable but necessarily quite demanding woman.
In any real-life (i.e. non-televised) situation, substituting a pre-booked course with cocktails masquerading as dessert would be both irresponsible and a breach of contract.
As you may have noticed, many of the guests were drivers.
I myself have evenings when I have pre-decided to get very drunk indeed, and others when I remain as sober as a Cistercian monk.
Put simply, the only place you'd find a drawing room full of decision makers spontaneously getting off on a couple of college wags' improvised party poison would be in a comedy farce like Ronnie Barker's 'Futtocks End'.
As for our decision maker's female 'advisor' suddenly showing her true colours and 'voting for the boys', I will now admit to a very politically incorrect thought.
However, assuming that Sarah Willingham's late-term pregnancy has not produced a hormonal imbalance that assumes responsibility for her wholesale support of the pretty boys in the final hour, I can only lay the blame at Blanc.
Here's another unpopular, reactionary point:
Whilst I relish regular trips to Brittany, and would actually consider re-locating there in later years, I remain unconvinced that there's any such thing as a decent French restaurant and Raymond Blanc's wholesale endorsement of the Cocktail-Cookie-Crew has only endorsed this prejudiced view.
I would actually go further than that; if eating at a celebrity chef's establishment were a compulsory pass-time, then I'd sooner suffer the wholesale irritation that comes as an occupational hazard with consuming Jamie Oliver's cuisine than risk any piece of useless art d'assiette that this exiled Frenchman might throw at me.