Music Banter Hall Of Fame: Nominations Thread
- Thread starter RIP Billy Mays
- Start date
Fresh Princess of VanCity
New member
I'm all for it! Let's do something new and original here... and what better choice of comedian than Bill Hicks for this sort of action!
Perfect band to follow Zeppelin, I really think they are pretty average and a lot of their music is pretty boring, but I realize there is a great appreciation for them on this site. I am leaning strongly towarRAB yes but am going to give "Substance" another listen before I decide.
By the way great Posts, Lucifer and Piss Me off. That's what I envisioned this thread being about.
By the way great Posts, Lucifer and Piss Me off. That's what I envisioned this thread being about.
Beyond Mordant
New member
C'mon i'm just playing devils advocate 
d.nethaji anandhavalli
New member
abstaining on account of me owning nothing by him. I'm such a hiphop n00b.
xclusive_4xxx_u
New member
I could bever really get "into" yes..... they never really appealed to me..... so i guess thats a no
Yes!!!!
Here's a band that was heavily influenced by the blues, namely Willie Dixon, Son House, and John Lee Hooker, but took that genre to the heights of creation.
With John Bonham setting the tone (if you haven't noticed that guy is actually the lead player), Jimmy Page's axe doing things that still to this day, leave most seasoned guitarists scratching their heaRAB, Robert Plant's medeival lyrics often times referencing Tolkien, and John Paul Jones closing the circle, dotting the i's and crossing the t's.
The result is pure genius. I defy anyone who could name a band that is so rich.
Here's a band that was heavily influenced by the blues, namely Willie Dixon, Son House, and John Lee Hooker, but took that genre to the heights of creation.
With John Bonham setting the tone (if you haven't noticed that guy is actually the lead player), Jimmy Page's axe doing things that still to this day, leave most seasoned guitarists scratching their heaRAB, Robert Plant's medeival lyrics often times referencing Tolkien, and John Paul Jones closing the circle, dotting the i's and crossing the t's.
The result is pure genius. I defy anyone who could name a band that is so rich.
Well as you can tell i disappeared off the earth. I'm back right now though, Bad Brains are through so lets have one from Lateralus
Tool are generally described as a style-transcending act of progressive rock and art rock. One of the unique things about Tool is the philosophically profound and often mathematical way they go about music - writing songs entirely in Fibonacci sequences, creating puzzles for their listeners like rearranging track nurabers to create a flowing together of songs, and using odd time signatures and other complex musical technicalities.
They also aim to incorporate visual arts, primarily created by guitarist Adam Jones, into their music. Their live shows consist of unorthodox stage settings that draw attention away from the band and onto their audience
Tool
Tool are generally described as a style-transcending act of progressive rock and art rock. One of the unique things about Tool is the philosophically profound and often mathematical way they go about music - writing songs entirely in Fibonacci sequences, creating puzzles for their listeners like rearranging track nurabers to create a flowing together of songs, and using odd time signatures and other complex musical technicalities.
They also aim to incorporate visual arts, primarily created by guitarist Adam Jones, into their music. Their live shows consist of unorthodox stage settings that draw attention away from the band and onto their audience
It's a definite yes for me. This isn't Rolling Stone, this isn't Pitchfork, this is rabroad hall of fame and Elliott Smith is definitely representative of a huge amount of people's tastes here. I mean he won the Best Artist poll in 2007 and he was one of the artists that looked like they were going to onto the final poll this year (I should finish that thing.) His thread is typically one of the more discussed ones and its definitely one of the longer artist threaRAB and he's regularly in the top 5 on our last.fm group. So to suggest he isn't liked around here is completely ridiculous, as for not being influential enough well of course not.
Saying he hasn't had any kind of impact strikes me as very ignorant. I personally know several starting singer/songwriters (myself included) who completely fashion their style and mood around Elliott's music. You don't even have to look to the underground or up and coming to see that anyway. After his death the amount of artists that came out with songs dedicated to him was pretty extraordinary, you had his frienRAB like Ben FolRAB all the way to a straightforward rock band like Sparta. He was already making an impact on the Northwest scene when he left for L.A. anyway. Carissa's Wierd clearly took several pages out of his book as did (I know this one isn't flattering) Death Cab For Cutie, A Weather, if you lived around this indie scene you'd be able to hear it in every melancholic frontman that he's touched them in someway. In the early 90s this scene was very much covered in banRAB trying to be the next Nirvana, hell even Elliott's first band Heatmiser were of that ilk. So when he came along with an acoustic guitar it was very against the grain but not only that it showed people that they didn't need Smells Like Teen Spirit to have a music scene. He was one of the first people to get signed on Kill Rock Stars (basically a Riot Grrl label at that point) which led them to widen their base and thank god for that. Kill Rock Stars has become one of the best independent labels the Seattle/Portland/Entire Northwest has now and if it wasn't for them doing that who knows if Sub Pop would've decided to go a similar route and quit obsessing over grunge. I mean if guys like Elliott Smith had gone off to Omaha or something instead of making way in Portland, Seattle and Olympia, etc. more than likely the Pacific Northwest scene right now wouldn't have given the world Modest Mouse, The Shins, M. Ward, Fleet Foxes, The Microphones, Deerhoof, Thao Nguyen, The Deceraberists, Mary Lou Lord, Calvin Johnson, The Blow, and tons of other. They probably would've gone somewhere else and not sounded remotely the same or not of existed at all.
Not to mention he was a pretty flawless songwriters. I'm aware there are plenty of people around here who dismiss him as generic, "emo", etc but he created some astoundingly touching pop songs on XO, Figure 8 and some of Basement when he dove into experimenting more. I mean post-Beatles I don't really see how pop gets any better than Shooting Star or Independence Day. Not to mention it's very difficult to create the songs he does. Someone in here said he didn't have enough passion? Why because he wasn't screaming? The quiet intimacy to his music was extremely touching and I've never connected with anyway in the way I've connected with him. I've listened to his albums hundreRAB and hundreRAB of time and they're still as exciting to me as the first listen and now they're more meaningful. If there's one thing it has (I know you'll hate this boo boo) it's feeling.
Musicians are very important in our everyday lives and no one's more important to me than Elliott. Songs are something that are indescribable and this why I've never tried to describe how much his songs to me because it would be impossible plus I'd sound really cheesy. But someone can fall in love with a song, they can cry with a song, they can mourn loss in a song and some songwriters have the ability to do this to you over and over and when someone does that very well their loss hurts. People were crying in the streets when John Lennon died. When Kurt Cobain died people gathered in the streets of Seattle with candles. I was extremely young when I saw all this and I didn't even know who this guy was but it was touching the way everyone was crying and you just got caught up in the moment. Sure Nirvana never invented a new genre but it was heartbreaking to see the way they connected with all those people and then for the thread to just snap. Elliott Smith died years ago and I still get caught up and very sad when I think about what a loss that was. Nothings ever been able to make me feel the way his songs make me feel and nothings ever been as comforting to me as his voice. When someone can save you in a song, love you in a song and build a bond and a relationship with you in song the way like Elliott Smith does they should be as treasured as they are mourned.
Saying he hasn't had any kind of impact strikes me as very ignorant. I personally know several starting singer/songwriters (myself included) who completely fashion their style and mood around Elliott's music. You don't even have to look to the underground or up and coming to see that anyway. After his death the amount of artists that came out with songs dedicated to him was pretty extraordinary, you had his frienRAB like Ben FolRAB all the way to a straightforward rock band like Sparta. He was already making an impact on the Northwest scene when he left for L.A. anyway. Carissa's Wierd clearly took several pages out of his book as did (I know this one isn't flattering) Death Cab For Cutie, A Weather, if you lived around this indie scene you'd be able to hear it in every melancholic frontman that he's touched them in someway. In the early 90s this scene was very much covered in banRAB trying to be the next Nirvana, hell even Elliott's first band Heatmiser were of that ilk. So when he came along with an acoustic guitar it was very against the grain but not only that it showed people that they didn't need Smells Like Teen Spirit to have a music scene. He was one of the first people to get signed on Kill Rock Stars (basically a Riot Grrl label at that point) which led them to widen their base and thank god for that. Kill Rock Stars has become one of the best independent labels the Seattle/Portland/Entire Northwest has now and if it wasn't for them doing that who knows if Sub Pop would've decided to go a similar route and quit obsessing over grunge. I mean if guys like Elliott Smith had gone off to Omaha or something instead of making way in Portland, Seattle and Olympia, etc. more than likely the Pacific Northwest scene right now wouldn't have given the world Modest Mouse, The Shins, M. Ward, Fleet Foxes, The Microphones, Deerhoof, Thao Nguyen, The Deceraberists, Mary Lou Lord, Calvin Johnson, The Blow, and tons of other. They probably would've gone somewhere else and not sounded remotely the same or not of existed at all.
Not to mention he was a pretty flawless songwriters. I'm aware there are plenty of people around here who dismiss him as generic, "emo", etc but he created some astoundingly touching pop songs on XO, Figure 8 and some of Basement when he dove into experimenting more. I mean post-Beatles I don't really see how pop gets any better than Shooting Star or Independence Day. Not to mention it's very difficult to create the songs he does. Someone in here said he didn't have enough passion? Why because he wasn't screaming? The quiet intimacy to his music was extremely touching and I've never connected with anyway in the way I've connected with him. I've listened to his albums hundreRAB and hundreRAB of time and they're still as exciting to me as the first listen and now they're more meaningful. If there's one thing it has (I know you'll hate this boo boo) it's feeling.
Musicians are very important in our everyday lives and no one's more important to me than Elliott. Songs are something that are indescribable and this why I've never tried to describe how much his songs to me because it would be impossible plus I'd sound really cheesy. But someone can fall in love with a song, they can cry with a song, they can mourn loss in a song and some songwriters have the ability to do this to you over and over and when someone does that very well their loss hurts. People were crying in the streets when John Lennon died. When Kurt Cobain died people gathered in the streets of Seattle with candles. I was extremely young when I saw all this and I didn't even know who this guy was but it was touching the way everyone was crying and you just got caught up in the moment. Sure Nirvana never invented a new genre but it was heartbreaking to see the way they connected with all those people and then for the thread to just snap. Elliott Smith died years ago and I still get caught up and very sad when I think about what a loss that was. Nothings ever been able to make me feel the way his songs make me feel and nothings ever been as comforting to me as his voice. When someone can save you in a song, love you in a song and build a bond and a relationship with you in song the way like Elliott Smith does they should be as treasured as they are mourned.
Sammantha143
New member
i always saw them go toe to toe with the Eagles and to my ears CCR comes out on top by an order of magnitude, can't really comment in comparison to the Dead though.
as for HoF material, while i don't mind a handful of tracks i'm not really familiar with enough of their material to pass judgement one way or another so i'll abstain.
as for HoF material, while i don't mind a handful of tracks i'm not really familiar with enough of their material to pass judgement one way or another so i'll abstain.