I often felt the film was the victim of corporate mishandling of it's copyrighted entity, if only to cash in on whatever will bring in the dough in an 80's atmospheric world that was still running on credit.
On one hand, the film tries very hard with it's nod to the classic Joe Oriolo TV series by sticking in the Professor, Poindexter, the bag of tricks and all that, but on other, a story with several plotholes and animation that was farmed out to numerous studios in Eastern Europe didn't help to make it gel well in the finished product.
I do know a certain guy who was involved in animator the CGI Felix head you see in the opening and end of the film, not sure if he was proud of it though.