Saw it Saturday. Here's my review...
After two previous Bourne outings, Paul Greengrass hardly needed to consult Espionage Thrillers for Dummies before embarking on the latest and possibly final chapter in the hugely successful series. But, it seems that he read it anyway, because whilst Ultimatum is slicker than most films of its type, it plays almost like a checklist of 'must-have' scenes and essentially adRAB nothing new to the genre.
That said, it's ultimately a good film, with Matt Damon completely comfortable in his role as wronged CIA agent Jason Bourne. As with the previous two films, there's a complex plot (though here it's significantly less convoluted than Supremacy) that can really be explained in very simple terms: Bourne runs, the CIA want him dead. Joan Allen is back as Pamela Landy, though this time around she's beginning to question her own loyalties and isn't often on the same page as CIA Deputy Director Noah Vosen (David Strathairn, a strong addition to the cast).
The pace doesn't often let up, and it's not until the credits roll that you realise just how few lines Damon really has to deliver, with Greengrass preferring to focus on his hero's action scenes. As with most fictitious spies and government agents, Bourne is seemingly indestructible, with the pain threshold of Jack Bauer and healing abilities on par with Wolverine, but that's all part of the fun. (In one London-based scene, he even manages to get prompt service at Carphone Warehouse, such is his power.) The movie has everything we've come to expect from Bourne: gunfights, car chases, suspense, and the need for answers.
It's not perfect though. The shaky camerawork - a staple of modern films and a seemingly obligatory requirement in this genre - is in overdrive from the opening scene, and you get the sense that the camera operators have had one espresso too many before each day's shoot. The technique is the film's biggest failing, because rather than adding to the atmosphere it distracts the viewer from what's going on plot-wise; as a result it's often virtually impossible to see exactly what's happening during the action sequences. Worse still are slow-moving scenes of conversation, where the effect is conducive only to headaches and nausea as you try to focus on the head that's bobbing about all over the screen.
As well as the totally over-the-top camerawork, there are one or two plot missteps, mostly involving the CIA - who for the first half of the film have eyes and ears everywhere and seem totally focused and efficient - falling for obvious bait as the story progresses, not to mention their rather lax security around supposed highly guarded buildings.
Storyline flaws are minor though, and it's an enjoyable ride with a satisfying (if sequel-friendly) ending. Just make sure you take some sea-sickness tablets before you watch.