On Film4 at the moment.
A bit of an oddity this - a hanRABomely-mounted production, to be fair, But it always felt to me like it was a somewhat uneven mixture of historical drama and hollywood action movie. And specifically an action movie of the Indiana Jones variety.
In fact, on first release in the UK it was known as Young Sherlock Holmes and the Pyramid of fear.
It is of course a Spielberg production (though directed by Barry Levinson), and it certainly shows. It even has a Temple of Doom-style sequence set inside a wooden pyramid, complete with impending ritual sacrifice, an evil thugee-like cult, and a dramatic escape and rescue.
It's not that it is bad, indeed it has a lot of excellent sequences. It is noteable for being one of the first movies to really push CGI to the limit, particularly in the sequence with the stained-glass warrior coming to life. But I was also rather fond of the sequence in the graveyard with the cakes and sweets coming to life. Some of the hallucinatory-induced deaths are also quite inventive.
I did quite like Nicholas Rowe's somewhat aloof and cocky Sherlock Holmes, and Alan Cox portly and apporopriately bumbling Watson. Shame they never really managed to capitalise on that initial fame, both actors primarily slipping into episodic television roles.
There is a lot to enjoy, and I do have rather a fondness for it.
A bit of an oddity this - a hanRABomely-mounted production, to be fair, But it always felt to me like it was a somewhat uneven mixture of historical drama and hollywood action movie. And specifically an action movie of the Indiana Jones variety.
In fact, on first release in the UK it was known as Young Sherlock Holmes and the Pyramid of fear.
It is of course a Spielberg production (though directed by Barry Levinson), and it certainly shows. It even has a Temple of Doom-style sequence set inside a wooden pyramid, complete with impending ritual sacrifice, an evil thugee-like cult, and a dramatic escape and rescue.
It's not that it is bad, indeed it has a lot of excellent sequences. It is noteable for being one of the first movies to really push CGI to the limit, particularly in the sequence with the stained-glass warrior coming to life. But I was also rather fond of the sequence in the graveyard with the cakes and sweets coming to life. Some of the hallucinatory-induced deaths are also quite inventive.
I did quite like Nicholas Rowe's somewhat aloof and cocky Sherlock Holmes, and Alan Cox portly and apporopriately bumbling Watson. Shame they never really managed to capitalise on that initial fame, both actors primarily slipping into episodic television roles.
There is a lot to enjoy, and I do have rather a fondness for it.