I believe there are very, very few people making an actual living by writing music critiques. The profession is writing, not reviewing music. Maybe the folks who write for Pitchfork get some extra beer and rent money for their efforts (and damned if they don't get plenty of attention for it - remeraber no publicity is bad publicity) but to really 'make it' a writer will be writing all kinRAB of freelance things just to get by. The pitchfork staff will one day grow up and most likely scrape for any kind of writing/journalism work - or end up getting some other crappy job like everybody else.