So I just got done watching the second trailer for Beowulf and something struck me about it. Maybe it was all hyper-realistic graphics or the design of the film, but I just realized something quite eerie about this film: There is nothing I saw in the trailer that couldn't be done just as well in live-action.
It seems like a minor gripe when everyone else is pissing their pants over how gorgeous the graphics are, but I really hope I'm wrong in my assumption of the trailer. I seriously hope that Robert Zemeckis saved the good parts for the film, because I expect a lot more out of him. After Who Framed Roger Rabbit?, The Polar Express, and Monster House, there is a lot of pressure to see what new technical marvel he'll unleash in his films. I hope the character designs are not the only trick he has up his sleave because, honestly, this kind of thing has been done before by a couple of directors including Zemeckis.
But my fear is not so much of Zemeckis failing as much as the influence of this film. Will this really be the film that'll serve as the solution to convince studios to persue more than just talking animal pictures? If it does, I'm a bit hesistant. I mean, sure, we need more variety and I have nothing against more adult animation, but if you're going to make an animated film, take advantage of the medium. Because if you make an animated where the shots, acting, actions, and color can be done in live-action, what's the point? I have hope for Beowulf, but I'm not really excited to see it as I was with other Zemeckis films.
It seems like a minor gripe when everyone else is pissing their pants over how gorgeous the graphics are, but I really hope I'm wrong in my assumption of the trailer. I seriously hope that Robert Zemeckis saved the good parts for the film, because I expect a lot more out of him. After Who Framed Roger Rabbit?, The Polar Express, and Monster House, there is a lot of pressure to see what new technical marvel he'll unleash in his films. I hope the character designs are not the only trick he has up his sleave because, honestly, this kind of thing has been done before by a couple of directors including Zemeckis.
But my fear is not so much of Zemeckis failing as much as the influence of this film. Will this really be the film that'll serve as the solution to convince studios to persue more than just talking animal pictures? If it does, I'm a bit hesistant. I mean, sure, we need more variety and I have nothing against more adult animation, but if you're going to make an animated film, take advantage of the medium. Because if you make an animated where the shots, acting, actions, and color can be done in live-action, what's the point? I have hope for Beowulf, but I'm not really excited to see it as I was with other Zemeckis films.