Before I begin, who else is in agreement with me that this emoticon :shrug: is moronic and overused around these parts?
Okay, here goes:
In accordance to the original question of which decade was better for animation, there is no right answer, and every answer is going to be blinded with nostalgia. Every decade was good, and every decade was bad. There had been dark periods and great periods of inspiration in every decade. Even the 1970s had its good points besides being a loathsome era in animation.
There were good shows in both the 1990s and the current decade, and yet there were also terrible shows in both decades.
Yeah. I've
fought that fight before many moons ago. It still has relevance. Not to mention six great things came about from the 1980s, and I'm not talking about the shows.
I think CyberCubed and chdr got the points of both decades, but I think I could expand them a little more.
CyberCubed is right on the money in that regards, though I could easily argue the fuse that started the Japanese animation boom was lit in the 1980s courtesy of folks like Streamline Pictures and the weekday consumption of shows like Voltron, Robotech, Tranzor Z (Mazinger), and others. TMS also developed series exclusively for the North American market in the 1980s, including Mighty Orbots and Galaxy High. Other shows like Bionic Six, Transformers, G.I. Joe, The Real Ghostbusters, Sabre Riders, Thundercats, Galaxy Rangers, and others all had this quasi-anime look to them largely because most of them were animated in Japan. Seriously, if you ever look at the Macross era of Robotech and compare it with the first season of The Real Ghostbusters, some of the characters look the same in some scenes, particularly in the eyes.
In the 1990s, SciFi also aired Japanese animation quite frequently in their first seven years on the air (the pre-Hammer years as a matter of fact) and regularly had annual festivals of films. The anime industry as we know it did begin in 1998 at about the same time within weeks of each other. Dragon Ball Z premiered on Cartoon Network's Toonami on August 31 of that year while Pokemon premiered a week later on September 7. Both series, as well as Sailor Moon (which premiered in June on Toonami), began a shift that would last for about a decade and completely legitimized the anime industry. More networks wanted them.
And that was also the problem. Nearly every broadcast and cable network
To nitpick, Dragon Ball Z was actually produced in the 1980s, and was released in the US in the mid-90s to little fanfare and got huge in 1999 and stayed that way until the show's end. But I've got to go with chdr on this one. Fan adoration towards superheroes is as old as storytelling itself and largely generational.
Couldn't you both be right? I love Chowder and Animaniacs. I like Flapjack and Tiny Toons. Yes, animation from Warner Bros. doesn't represent all 90s cartoons just like the cartoons from Cartoon Network doesn't represent all 00s cartoons. It's all a matter of taste.
I would. Spongebob Squarepants (like The Simpsons before it, a show that came from the previous decade that became better known as iconic of the decade that followed) isn't quite mainstream but, like Family Guy and Naruto, aimed towards a certain demographic niche.
But that's true of all shows. Gargoyles, Powerpuff Girls, Rugrats, Hey Arnold, Rocko's Modern Life, Dexter's Lab, Darkwing Duck, The Tick, Sam and Max, and a majority of the shows that came from the '90s has niche fanbases that continues to enjoy the shows long after they ended. None are truly mainstream, just popular. When it comes to animation, being a fan of animation PERIOD is niche in itself, so what's the point of breaking it down by cherrypicking fanbases by the decades they came from?
We're all fans of animation. Who really cares what decade it comes from? We'll always have differences in taste, but I think what keeps this and other animation communities strong is that we're fans and proud of it.