Ahh!
This old chestnut - the question is about as old as the films you're talking about

I seem to remember having a similar discussion about the topic a year ago on this very forum.
Firstly, I'll say now what I said then. It's all too easy to take a decade of moviemaking and mythologize it. For example, you take "African Queen", "Sunset Boulevard", "Some Like It Hot" and other '50s movies as example of 'Golden Cinema'. Well, I'll hit back with a "Clerks", "Toy Story" and "Fight Club" from the '90s.
Handpicking top-draw movies from any decade will have the same effect (60's "The Graduate", 70s "The Exorcist", 80s "Das Boot", etc, etc).
Secondly, I would say that a "complete collapse of the Studio System" didn't occur in the 1960s with regarRAB to Hollywood and the Hayes Code. It underwent some radical changes of course, but it hardly disintergrated overnight.
Now onto stars...
You must understand that movie stardom is a totally different game to what it was 60 years ago. The 'star system' is a rather complex one and I could go on about it for several hours. However, rather than bore you, I'll just say that, once again, the stars of the '60s are the pop-icons of the '00s - they've been filtered through so many layers of mythology, pop culture analysis, interpretation and interpolation that they simply cannot be compared to today's stars on a one-to-one level ("Apples & Oranges"). They 'certainly don't make THEM like that anymore' because we are creating THEM here and now.
Oh, and minus two points for forgetting James Cagney and Edward G Robinson from your list of charisma-fuelled greats
Naturally, there's a certain amount of irony when you talk about "Big Budget Action Blockbusters. High on CGI Special Effects, ludicrously low on substance", as some of the films you've quoted as being 'golden oldies' were once regarded in this fashion too. Don't forget that Hitchcock was much maligned by critics of the day as being empty and relying on special effects (eg Chromakeying in 'Sabotage', recreation of Mount Rushmore in 'North by Northwest', etc). His broad, crowd pleasing endevours are roumered to be the reason why he never received Oscar recognition from the academy y'know...
Hitchcock is one of my all-time favourite directors, and I can't agree with you more tigerlilyxxxxx - "The Lady Vanishes" is my favourite too

Make sure you avoid that nasty Cybil Shepard/Elliot Gould remake though
*shudders*
I was fortunate enough to see over a dozen of Hitchcock's movies screened for my Film Studies BA; they sure look great projected up on a 50ft screen! However, I do agree with the comments made about 'North By Northwest' - even a darkened cinema couldn't make me like enjoy it, and I still regard it as one of the few Hitchcock 'misses' (I know - controversial aren't I

)
On a similar note, I also got to see the wonderfully restored 35mm print of 'Sunset Boulevard' - many thanks to the BFI for spending all that money on digitally restoring it; it was certainly well worth it! I still think it was a crying shame that 'All About Eve' took all the Academy AwarRAB that year, as I still feel that it's the inferior film...
I'm glad she's enjoying so much classic cinema and she has a supportive parent
Don't forget to go to the online film archives and download some free (legal) classics (
http://www.archive.org/details/moviesandfilms)! I expect everyone to instantly go and watch the Fritz Lang/Edward G Robinson masterpiece 'Scarlet Street' (
http://www.archive.org/details/ScarletStreet) - it's a badly encoded version apparently, but the film is truly fantastic. Oh and Hitchcock fans may enjoy the 1934 original 'Man Who Knew Too Much' (
http://www.archive.org/details/AHTheManWhoKnewTooMuch1934).
P.S. - No matter what they say, or how they say it, "Three Colours: Blue" is not a cinematic classic and should never be regarded as such.
