Adlan Zuhairi A
New member
I found this episode to be really, really tightly written...surprisingly, even a near-classic. Has it been like this all season? Guess I haven't been paying close attention...
Surprised no one has on how Homer's arc and Milhouse's broke the mold, for both characters -- but were so tightly conceived, it didn't feel like a stretch. It was so refreshing when the "camera" pulled out to reveal Selma's haircut (or was it Patty? same difference...), and revealed that Homer fact hadn't botched it, as we'd expect. And was shocked when Lisa kissed Milhouse -- and smart move having her be confused about it. Not because it was an easy way around having them be together from here on, which would throw the series' basic template completely out of whack -- but because it made the dynamic between them more complex and human/believable.
A bonafide example of good character writing wherein they genuinely "evolve", rather than a cheap "against type" scenario that the writers scraped off the bottom of the barrel.
Surprised no one has on how Homer's arc and Milhouse's broke the mold, for both characters -- but were so tightly conceived, it didn't feel like a stretch. It was so refreshing when the "camera" pulled out to reveal Selma's haircut (or was it Patty? same difference...), and revealed that Homer fact hadn't botched it, as we'd expect. And was shocked when Lisa kissed Milhouse -- and smart move having her be confused about it. Not because it was an easy way around having them be together from here on, which would throw the series' basic template completely out of whack -- but because it made the dynamic between them more complex and human/believable.
A bonafide example of good character writing wherein they genuinely "evolve", rather than a cheap "against type" scenario that the writers scraped off the bottom of the barrel.