The Prestige's Prestigious films to immerse you

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How right you are. I completely forgot about Wes Craven's New Nightmare. And I didn't realise that it was Barrymore's decision to die in the opening. That's really sacrificial on her part. An actor putting the film forwards before themselves gives the film an extra zoomff. Thanks for the info there. Still, it's hard to imagine Drew Barrymore playing the virginal Sidney. That would have been tough to swallow..
 
I absolutely love The Dark Knight, which as you can see is in my top 10 as well. I had never been as hyped for a movie until TDK came out. Easily Nolan's best movie, for me at least.
 
Interesting review Prestige and I completely agree with you about Sam Rockwell's performance. I think he's a fantastic actor and, one of only a few, that raises my spirits when I see he's in a film.

I've only seen The Assassination Of Jesse James By The Coward Robert Ford once, but I was completely blown away by it and I thought that the cinematography, particularly in the 'action scene' you alluded to, was breathtaking. I raved about it to just about everyone I met in the weeks following.

Odd to see it at #12 though, as I was lead to believe that it'd be making an appearance higher on your list.

Good work as always and I'm looking forward to the next installment.
 
Cheers lad. Yeah, it's always interesting to look at the film from different angles. I think with this (and all films but this especially) you have to look at the intentions of the filmmaker and think outside the box a little. I'm extremely happy to hear that you'll give it another go as I do believe it deserves one.

And yes, David Bowie = God
 
I'm really pleased to see this in your top 100. Personally I'd place it higher, just for "Blue" alone, but it's good to see it so high. Hell, it's good to see it at all. Is it (are they) the only Kieslowski film(s) you've seen? If it is, I'd certainly recommend seeing The Double Life Of Veronique (which stars Irene Jacob who, IMO, gives an even better performance than she does in "Red") and which I also thought was a better film than either "A Short Film About Love" and "A Short Film About Killing" and is criminally overlooked when people talk about his work.

I've heard that his tv work "Dekalog" is worth a look too.
 
Yeah mate, caught it about a month ago on some Sky channel. It's good but it wasn't really my cup of tea. It just less focus on plot than I thought there would be. Maybe I should give it another go, eh?

And yeah, get Adulthood. It makes it point more clear than Kidulthood did, which is why Clarke decided to do it in the first place.
 
32. Little Miss Sunshine (Jonathan Dayton and Valarie Faris, 2006)



Paulinka (my ex girlfriend's name) brought this film, and I was prepared to hate on it for the simple reason that Steve Carell has a major part. I just didn't see myself liking this film. And the fact that this was being compared to Wes Anderson films wasn't helping either as I generally dislike that geezer. But as the saying goes: Never judge a book by it's cover. This film is FANTASTIC. It's basically a family road movie with great comedy throughout. Each member of the family have their own little problems. Paul Dano's a mute with teen angst, Abigail Breslin (excellent) is obsessed with competing with 'pretty girls', Steve Carell is a suicidal depressive, and Alan Arkin is a druggie.

Another reason why I feel compelled to rate it this high is because of how I relate to the film. My grandfather passed away yesterday Friday morning, that's why I didn't post anything yesterday. He lived a long lengthy life (he was 73) and he was an incredibly strong man. But his sense of humour andd general personality really reminds me of Alan Arkin's character. They're 75% alike! I only just realised it. My grandad would often say inappropriate things at inappropriate time, and advise me that drinking was better than not drinking, lol. He also went on about women a lot and was always trying to chat up the ladies. We weren't close or anything, and although i'm sad, I wasn't surprised he died because of his liquor consumtion. Anyways, he was a beautiful person and Alan Arkin reminded me of him in this film.

Anyways, back to the film. There is much more charm and substance in 5 mins of this film than all of Wes Anderson's works put together. The family dynamic works brilliant with each actor playing off each other beautifully. This easily could have played out like The Royal Tenenbums, but Dayton's film is too humble and has too much heart be self-conciously quirky. It could have been satirical aswell and some people see it as so. But I don't. I think the film is just whole and simply aims to take you the ride with them.



Dayton and Faris' film manages to maintain a clear, solid mood that sometimes crosses the line over to farce. There's the horny and foul mouthed grandad played excellently by Alan Arkin, who I mentioned earlier. There's funny incidences with porn and some inappropriate dialogue displays during the ride. Non of this is boring. It's constantly funny and may even remind you of yours or a friend's family. They are all black sheeps within the family, nobody's deemed 'too odd' or eccentric in that household.

Now, I know earlier I indicated that I don't think much of Steve Carell, but i'm always happy to give credit when it's deserved. It's a strong performance where he is unusually restraint and playing it fairly straight. His character was probably my favourite in the whole film next to Alan Arkin's cokehead grandfather. Loved Paul Dano in this aswell. Mr Moonface delivered a gut wrenching performance in his breakdown scene. You truly get a sense of a kid who's consistently been holding his emotions throughout his entire life, only to finally snap when he realises he can't do the very thing he wants. It's a shockingly emotional scene.



But that's what Little Miss is all about. It's generally just about family life. It's as simple as that. Nothing more, nowt less. Moments of tenderness, tradegy, relief and joy all flow into one another and they generally are the things we deal with on a daily basis. Specially when family is concerened.

The only dodgy thing about this wonderfully crafted film was the beauty contest. Was I the only one that found those scenes disturbing? How the hell could they dress up those kids like that?? Anyways, apart from that, it's an essential purchase.

31. Boogie Nights (Paul Thomas Anderson, 1997)



If you're short, thick necked and stocky, at some point, you may have considered the potential of a life devoted to amateur wrestling. If you are tall, slender with broad shoulders, then perhaps swimming may have been an option. Or, if you're well endowed, then maybe you can do what Dirk Diggler did and become a porn star.

Boogie Nights is, for my money, PTA's best film to date. Better than Magnolia and yes, even better than the mighty There Will Be Blood. Despite it's subject matter, this film isn't about watching pornos. Rather, it's a very straight forward tale about the rise of a pornstar played by an excellent Mark Walhberg. It charts his rise from a weak, good mannered and naive young man, to a coke snorting, aggressive man who's loses everything and everybody without warning.

Burt Reynold's in his comeback role as Jack is a great performance. Very sleazy, all twinkle in his eyes as he tries to manipulate Diggler and his young co-workers into thinking that the porn industry is 'family orientated'. It's a very predatory role and when in which Reynolds makes it look so simplistic.


But aside from being a by the numbers Rise & Fall story, Anderson also goes out of his way to demystify the porn industry, which was his main aim all along, I feel. I mean, there are some some halirious and crappy behind the scenes set ups that make the industry appear more mechanical than The Terminator himself. It's almost satirical in it's portrayal of the porn industry as an 'ordanairy business'. Of course we know that it's not ordanairy at all.

Anderson also calls forth a lot of great auteurs. His expert handling of the ensemble cast echoes Robert Altman and a great scene where Dirk and Thomas Jane try to rip of Alfred Molina's drug kingping recalls the black humour of Pulp Fiction. The chart through the hedonistic 70s to the capitalist 80s is not too subtle, but still very effective. It's during the 80s we see Dirk start his reign of pill poppin and aggressive lashing outs. And we also see him replaced. These are fairly engrossing scenes, and adds a lot of sympathy to the Diggler character.



All in all a fantastic satirical film that's the birth child of The Player and Pulp Fiction, coupled with the upbringing of Pulp Fiction. PTA at his very best, and Wahlberg giving the performance of his career.


Only two for today, boys and girls. Will be back tomorrow to do more than that.
 
I think it's pretty clear the only reason you're not going to answer my question is because you don't know how or you're afraid you'll end up looking even more stupid then you already have.

Incidentally, I have a very simple definition of a gay film (a film that features gay central characters), but was willing to give you the benefit of the doubt and have a discussion on the matter (because I believe there is room for it)....alas...
 
Well, I never once thought about Lost in Translation while I was watching Brokeback Mountain, other than the fact that I thought Lost in Translation was a lot more boring. At least, if I ever actually thought that during Lee's flick.
 
I see what you're saying. I guess it just doesn't speak to you the way it does to me. Some great films are like that. I'm like that with The Godfather 2. It's a really good thing but it didn't have that much of an impact on me as it did on other people.
 
28 replies since the last update. I'm pretty sure none of you guys are going to be able to convince one another to change their opinions by even the slightest iota, so can everyone just shut up until the next update?

Seriously.
 
Be careful Prestige, if you have an opinion on (homo)sexuality that's different from Adi- it's wrong.
 
Because:





Get it? The homosexuality in this film is just a metaphor, a tool to depict much more profound themes...like, man's need for...well, male company...and stuff.
 
Yeah, I got a message from Adi about a week ago saying 'lol pussy' as a response to me ignoring him. Sort of gives you an idea as to how pathetic this guy is.

I'll tell you what, Adi. You make your own thread about these issues i'll not interfere. How about that? Now if you don't mind, piss off my thread if you don't care for it. This is a thread for decent individuals.

ADMIN EDIT: offensive language replaced by, well, less offensive language.
 
I recommend people watch "Veronique" (including me, again), but I thought it wasn't up to Three Colors. I'll check back if I have to eat my words.
 
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