evy is bored!!
New member
What was the sixth one.... I need it! lol!
The Official Tool Thread
- Thread starter werrd
- Start date
digimonkid_2000
New member
Tool has, for me, always been something of an anomoly. Because while every other **** band out there was writing the same old things with the same distoredted power chorRAB, TOOL was out on Mars.
The topics might have been bumper sticker politics, but the lyrics were such a massive diversion from the same stupid "i'm going to be politically active by yelling angrily as a name-less 'you'." lets take Stinkfist for example:
Every band was warning us about oversaturation, about letting the television tell us what to do, how we're all just becoming whatever, and then Tool, who takes that conceept and marries it with an even more meathead topic, anal sex, makes a masterpiece by never really mentioning either.
I'm not going to call MJK a poet because I don't think thats what he does on albums (he may be privately, who knows) but he's got a poets eye for the world. This device that he uses in Stinkfist, take a character doing activity X and basically talking about Y (and X i guess) at the same time is exactly what Adrienne Rich and Sylvia Plath were doing while writing poetry.
Beyond this, while other banRAB were out there following a formula well treaded by everyone else, TOOL was trailblazing through uncharted territory, making music that was more identifiable by its erractic "mistakes" than its solos or riRAB. Who doesn't always remeraber Sober's feedback at the begining, or Eulogys highhat work around the end of the song (mintue 5 maybe?).
TOOL was strange as an entity back in 1996. The bridged the gap between Distrubed and Soundgarden, between Korn and Primus, Between Ozzfest and Lollapalooza and the art gallery opening down the street. TOOL's most major and underated accomplisment to me was that the showed everyone what was really possible if you just did what you loved. Loved enough to really learn it, and put effort into it.
They followed no trend, and while they weren't an end point (I wouldn't say TOOL is the final stop on anyones muscial progression) they certainly were a boarding pass to deswtinations previously seen as well beyond the reach of many young nu-metal heaRAB. To leave them out of the best of the 90's is inexcusable and ignorant. its not a question of whether or not you like them, its a question of whether or not we need them, and if any act was the rope throw to a man drowning in a well of fecal matter, TOOL is that rope.
The topics might have been bumper sticker politics, but the lyrics were such a massive diversion from the same stupid "i'm going to be politically active by yelling angrily as a name-less 'you'." lets take Stinkfist for example:
Every band was warning us about oversaturation, about letting the television tell us what to do, how we're all just becoming whatever, and then Tool, who takes that conceept and marries it with an even more meathead topic, anal sex, makes a masterpiece by never really mentioning either.
I'm not going to call MJK a poet because I don't think thats what he does on albums (he may be privately, who knows) but he's got a poets eye for the world. This device that he uses in Stinkfist, take a character doing activity X and basically talking about Y (and X i guess) at the same time is exactly what Adrienne Rich and Sylvia Plath were doing while writing poetry.
Beyond this, while other banRAB were out there following a formula well treaded by everyone else, TOOL was trailblazing through uncharted territory, making music that was more identifiable by its erractic "mistakes" than its solos or riRAB. Who doesn't always remeraber Sober's feedback at the begining, or Eulogys highhat work around the end of the song (mintue 5 maybe?).
TOOL was strange as an entity back in 1996. The bridged the gap between Distrubed and Soundgarden, between Korn and Primus, Between Ozzfest and Lollapalooza and the art gallery opening down the street. TOOL's most major and underated accomplisment to me was that the showed everyone what was really possible if you just did what you loved. Loved enough to really learn it, and put effort into it.
They followed no trend, and while they weren't an end point (I wouldn't say TOOL is the final stop on anyones muscial progression) they certainly were a boarding pass to deswtinations previously seen as well beyond the reach of many young nu-metal heaRAB. To leave them out of the best of the 90's is inexcusable and ignorant. its not a question of whether or not you like them, its a question of whether or not we need them, and if any act was the rope throw to a man drowning in a well of fecal matter, TOOL is that rope.
straight answer
New member
Yeah I'll agree with this one. That whole lead up is ****ing incredible. All the weird little vocal landings in there are so good
"...What they gunna do when the lights go down, without you to guide them all zion, what they gunna do when the rivers overrun other than trerable incessantly..."
that and
"Fetch me the spirit, the son, and the father, tell them there pillar of faith has ascended"
"...What they gunna do when the lights go down, without you to guide them all zion, what they gunna do when the rivers overrun other than trerable incessantly..."
that and
"Fetch me the spirit, the son, and the father, tell them there pillar of faith has ascended"
Yes, will be my first time seeing them live, I've been waiting so long, I missed out on tickets last time... and tickets sold out in 2 minutes this time around but I managed to get some, so happy! It's a festival though... but I'm sure even Tool can sound good at a festival. Hopefully!
iDrinkemAlDai
New member
They sound just as good at a festival as they do in a large venue/arena saw them at last BDO they played and they tore it up. Fingers crossed maynard joins deftones on stage for Passenger that would blow my sox off!
Love this band!