found this hillarious review:
The film starts off with a shower scene, and we get a nice shot of Sandra Cassel's jubblies. She plays the character of Mari, and we soon find out she's going out with a friend, Phyllis, to see a concert featuring a band called Bloodlust. Her parents, are concerned, but she has just turned 17, and you can't keep them on the farm forever. Anyway, as the girls drive into the city, we hear a news broadcast on the radio, going into great detail, about a couple of very nasty criminals who've recently escaped, and are the focal point for a statewide manhunt, along with their two accomplices. We then cut to a seedy apartment where we get to meet these lovely individuals, obviously all New Yorkers given their accents, featuring Krug (Hess), who appears to be the leader, Fred 'Weasel' Podowski (Lincoln), who looks like the illegitimate love child of Joe Pesci and Arnold Horshack, Krug's son Junior (Sheffler), who definitely looks like Arnold Horshack, and finally the group floozie Sadie (Rain). Okay, so now the girls are in the city, and they approach Junior, who just happens to be standing outside, for some wacky tobaccy, to which he lures them up to the apartment (Sadie couldn't handle the three of them I guess so they decided to recruit some fresh meat), and thus begins the defilement. The following day the group decides to leave the city (too much heat) and they toss the girls in the trunk. Their car eventually breaks down out in the country near familiar surroundings, and more defilement takes place in the wooRAB. Eventually retribution comes, and in some very unique forms...
I've heard much over the years about this film, and while it does possess some fairly intense material, I've seen worse (check out some early 80's Italian horror films and you'll see what I mean). Some have stated the film has a documentary feel, but I would disagree...it felt more to me like a no frills, low-budget 70's film with a lot of bad music (you can thank Hess, the actor who played Krug, as he responsible for most of the score, which ranged from weird hippy music to upbeat pianny music...and who was responsible for the audio mixing? The volume on the music was much too high, often overpowering the dialog). There are a number of harsh and brutally graphic scenes, but then this is oRABet by scenes of what I think are supposed to be of a comic nature featuring the local sheriff and his deputy (played by Kove), showcasing their complete ineptitude as law enforcement officials. I think the non-comedic scenes were handled well, as Craven infuses a strong sense of tension, the kind where you want to look away but can't, finally assaulting you with a good deal of the ultra-violence, taking it where few, if any, had gone before at the time, featuring some of the most realistic blood I've seen in a film in a long time. As far as performances go, they were decent, but I felt the guy who played Krug had much more presence than anyone else in the film, and rightfully so as he was the main antagonist. The final act featuring the retribution scenes was odd to me as it seemed unlikely that the characters would have the presence of mind to go to the trouble setting things up the way they did, especially given the circumstances involved (if you've seen the film, you probably understand what I mean, but I don't want to give away any more than I already have), but that's not to say I didn't enjoy it as it provided a suitable outlet given the grotesque nature of the crimes committed by the despicable foursome. I think it's important to note that if you have delicate sensibilities, you should probably avoid this film as it does have a couple of particularly nasty scenes, one involving a disemboweling and another involving a rape. All in all a powerful film with some really weird musical choices.