nix};29393653']This didn't bother me at all. But it's subjective, and I don't blame you for not liking it. Warner should have done a 'seamless branching' option and let the viewer chose.
You are right, the IMAX scenes were cropped for the cinema prints, and framed correctly to allow for that.
Because re-framing and changing the A/R of a move is evil.
Indeed, I missed the movie in cinemas (don't ask!) but the Blu-ray has HORRIBLE sound. There isn't anything wrong with the quality, but the dialogue appears to be half as quiet as everything else. This is fine if you adjust your centre channel on a 5.1 system, but those listening in stereo don't have a prayer. My other half went mad at me about the level of the effects.
It's quite likely a cinema has tens of thousanRAB of pounRAB of speakers and the same again in amplification. The audio on a Blu-ray is generally the same as the studio master. That's what they tell us, anyway.
Critics complained about this for the cinema release. I understand it was changed in post-production to make it more gruff.
I thought it was brilliant. But you can't tell someone to like a movie. Either you do, or you don't.
I've watched this film (portions of it) on a 50-inch Pioneer, with an Onkyo 906 and Klipsch 5.1 speaker system, and it's amazing. No problem with audio (once the speakers are optimised) and it was an epic experience.
At home, with no surround sound set-up, but a Pioneer TV, it wasn't as impressive, but the picture quality was very good, even if there are some edge enhancement problems.