I saw Benjamin Button last night. I think it is the best film of the year, a classic movie that will be loved and debated for generations. It's not for everyone - it's long and episodic, a grown up intelligent film full of sophisticated references and analysis of human nature through fantasy. It began not at all as I was expecting and I thought this is going to be dull, I'll never buy this. 3 minutes in and I was absorbed. When it was over I had laughed out loud, been deeply moved and my mind raced with thoughts of my own life, of the people I have met in it, and our mortality.
It ought to be a small film, a little oddity. It could very nearly have been cringemakingly dire, it's such a bizarre and hard to swallow idea to pull off overall and in certain sections. And with Hollywood handling it, it could have been schmaltzy, Disneylike and embarrassingly twee or just downright laughable. I'm surprised any of the main actors took it on actually.
Instead, it is a classic fable, a Grimm's fairytale of life and death and pain and flaws, of a fun idea that you might wish for yourself, only to see it turn, first to a bind, then to a curse. It's a superb piece of crafted storytelling by a master writer Eric Roth, astonishingly beautifully filmed, located and dressed and superbly acted. It's filled with special effects you don't notice for a second because this is all about character and storytelling. There isn't really a wrong moment in it. Each decade of the last 90 years is perfectly caught, unforced.
It's partly a picaresque structure - that is it follows one character who through their life meets lots of others in short episodes that then finish. This type of story works well in 18th century romps but can just seem like a boring list in a movie. It doesn't here - the casting is superb and the incidents are all wonderful without exception.
The revelation to me here was Brad Pitt who suddenly emerges as a fine charactor actor of real depth. In the early scenes he plays a little boy inside the body of a very elderly man and is absolutely fascinating and loveable. By the end of Brad's scenes he is aged about 20 on the outside, 65 inside. He looks incredible, downaged 20 years, though it is harder to discern the older more experienced man inside. His scenes with Tilda Swinton are the best in the film, little snippets of a relationship out of an Evelyn Waugh novel, brilliant.
I think this is going to get a lot of nominations. Whether it will win a lot is hard to say as I can see that it will polarise audiences into those who love it and those who hate it.