The "Carry On" thread

Does anybody know any missing or deleted scenes from the carry ons?

I read somewhere that Terry Scott had a couple of appearances in Carry On At Your Convenience, but the scenes were cut for whatever reasons
 
Not very likely as I find pubs are full of chavs and morons. About as entertaining a night out as being forced to watch soap operas.

RegarRAB

Mark
 
There was a scene in Carry on Abroad where the travel agent warns Kenneth Williams not to mess up the holiday or else he's sacked (which would explain why he is a barman at the end).

Also in Abroad, there was a scene where they are onboard the plane as it flies to Spain.
 
I don't think the original 12 are out individually yet, just as part of the 30-disc boxset. All I know is they will each have commentaries at the very least. Maybe trailers, photos and so on, but I don't know.

I think they are released towarRAB the end of January.
 
great fan of Carry on films. I just watched the xmas dvd's last night and the best one is from 1973. I also just finished reading Mr Carry on book. It had inciteful info about the films from his view.
 
While I think the Carry On films were amusing in their own way (well, the last few weren't, but you get what I mean) I agree they were very much of their time. That sort of thing is very dated now, and a lot of the appeal of those films was the cast. That's why I think Carry On Columbus didn't work.

I don't see any problem with revisiting them though if you enjoy them.
 
Mark:

The whole point of the Carry On films IS their 'end of the pier', double entendre style. Cheesy lines delivered by fine comic actors, lines which needed the flair and gift of the likes of Williams and Hawtrey to deliver them impeccably, such lines said by mediocre actors would have been much less funny.

Understand that and they are enjoyable.

I can and do enjoy them just as much as I enjoy the brilliance of a Blackadder, a Yes Minister or anything by the great Stephen Fry....

And quite how you can regard Messrs Corbett and Barker as childish and juvenile...:rolleyes:

Apologies, but you come across as a comedy snob who fails to grasp what makes and does not make different styles of comedy.
 
Thanks for reply. My point was not about an argument that 'you should' like any film etc. Perhaps I should expand my argument. You will probably still disagree, but at least you will understand where I am coming from...

My point was regarding your remark about particular comedy being 'childish' and as an adult you rejecting it. I was/am arguing that may be a baby with the bathwater argument.

I did the same in my late teens and early 20's with certain films,tv and comedy/comedians that I had liked. I saw them as childish and yearned for more mature entertainment.BUT very quickly, I realised that such a stance was and is in many cases one of pure snobbery, the feeling that one somehow MUST reject the things of our childhood and teens, like St Paul 'putting away childish things', in order to mature...

In fact, getting older, I realise that was an ignorant stance to take.Because it means that one cannot understand that what we may have regarded as 'childish' in fact is far more layered and complex than we realise.

For example, the Carry On's. As I have said, I would argue that in calling them childish is to misunderstand them. Funny or not. The style of them was a deliberately calculated one,NOT a 'childish' mish-mash. The whole point of the Carry On films IS their 'end of the pier', double entendre style. Cheesy lines delivered by fine comic actors, lines which needed the flair and gift of the likes of Williams and Hawtrey to deliver them impeccably, such lines said by mediocre actors would have been much less funny.

The whole point of them WAS their knowingness, their self-parody.What did you think lines like 'infamy, infamy, they've all got it in for me!' were about?...another why this generation and the next will rediscover and enjoy them. In fact, some have argued that they are almost early post-modern in their self-knowingness.

The audience knew then and knows now that the jokes and lines are hoary old end of the pier stuff, delivered with great elan. And that is the point...that is the reason for their appeal...

Am I saying that you should like them?. No, of course not.I AM arguing that like them or not, they have more skill and depth in terms of writing, acting and direction/production and their style than you give them credit for....

As to the Two Ronnies,quite how you regard them as childish I do not know. By all means, dont like them, but to argue that they are 'childish' comedy is imo just silly. If anything, they are at the other end of the scale.....

The Two Ronnies wrote and performed extremely involved and intricate sketches and musical numbers. THAT was their stock in trade!.And Barker and Corbett were/are extremely deft comedians and comic actors.

'The Mastermind Sketch', Barker's solo to camera sketches, Corbett's monologues, 'Four Candles', the news items etc etc etc....I cannot see, even if I were NOT a fan, how their style of comedy is childish,as I said, it is the very opposite in fact,being some of the most intricate and involved comedy ever seen (the Mastermind Sketch alone is a work of genius frankly....)

Just because we may dislike or reject a work of entertainment or art does not mean ipso facto that it is bereft of any maturity or complexity, not to say skill. It simply doesnt speak to us personally, nothing more. To argue that ipso facto, they are therefore not worthy of respect and are not good or are 'childish' is a flawed argument.
 
As indeed nobody is. There is simply a differing set of views being proffered. Not that it matters any. Nothing you can say will make me not think of Carry On films as riddled with schoolboy, end-of-pier humour. A shrink would probably say symptomatic of the general British fear of sex and our desire to hide behind jokes about it, but I wouldn't necessarily go along with that.


In the same way I think chocolate tastes chocolatey. It just self-evidently is.


An age gone by?

RegarRAB

Mark
 
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