That's why I find it funny when Homer makes a reference to the 70's/80's on The Simpsons...instead of just being a mindless wallow in nostalgia, it's used to illustrate just how lame and outdated Homer's grasp on pop culture has become since he became a father ("I never thought I'd find a replacement for my 'Where's The Beef?' bumper sticker. Heh-heh-heh, 'Where's The Beef?'...."). Naturally, these jokes don't work anymore continuity-wise, because it's 20 years later, so now when they do a flashback to Homer and Marge's high school/college days, it has to be set in the mid-90's or later
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The constant riffing on 70's/80's stuff in Family Guy wouldn't be so irritating if Mac Farlane found a way to insert it in a way which felt organic. Peter and Lois are old enough to have experienced things like Star Wars, The Goonies and Knight Rider back in the day, but it makes no sense whatsoever when he has a cutaway of Chris walking out of a theater showing 1987's No Way Out and complaining "How does Kevin Costner keep getting work?" Even when the show premiered a decade ago, Chris wasn't even born when that movie came out. :shrug: MacFarlane is sort of like Quentin Tarantino, in a way...every character he writes is essentially a thinly-veilled version of himself, so every character, regardless of age, race, or gender, has the exact same taste in movies, music, and TV esoterica and riffs on said pop culture stuff incessantly (like in Death Proof, when a gaggle of twentysomething women mysteriously have seen obscure 70's car movies like Vanishing Point). The only difference being, Tarantino has talent, and uses his handle on stuff he liked as a teenager simply as frosting on a well-built cake. With MacFarlane, the cake is made entirely out of frosting, so after two or three bites, you're already getting kinda sick.

The constant riffing on 70's/80's stuff in Family Guy wouldn't be so irritating if Mac Farlane found a way to insert it in a way which felt organic. Peter and Lois are old enough to have experienced things like Star Wars, The Goonies and Knight Rider back in the day, but it makes no sense whatsoever when he has a cutaway of Chris walking out of a theater showing 1987's No Way Out and complaining "How does Kevin Costner keep getting work?" Even when the show premiered a decade ago, Chris wasn't even born when that movie came out. :shrug: MacFarlane is sort of like Quentin Tarantino, in a way...every character he writes is essentially a thinly-veilled version of himself, so every character, regardless of age, race, or gender, has the exact same taste in movies, music, and TV esoterica and riffs on said pop culture stuff incessantly (like in Death Proof, when a gaggle of twentysomething women mysteriously have seen obscure 70's car movies like Vanishing Point). The only difference being, Tarantino has talent, and uses his handle on stuff he liked as a teenager simply as frosting on a well-built cake. With MacFarlane, the cake is made entirely out of frosting, so after two or three bites, you're already getting kinda sick.