Here's how the story should go:
Roger is hired to appear in a TV series, but after the unpleasent experience of having his framerate lowered he flees to the backalleys of Toontown, briefly becoming trapped in an Oskar Fischinger abstract film. Eventually, he realises that the only way to escape the TV execs is to leave the country altogether, and so hops on board the Titanic (where he performs a rap number with a dog) and eventually arrives in the UK. Here, he meets Nick Park, who tries to turn him into a clay model. Meanwhile, the American execs are forced to scrap his series and replace it with CNReal.
Roger has second thoughts about becoming claymation and so flees from Nick Park. Now a bizarre half-cel, half-clay creation, he is accosted by mixed media animators who want to use him in their pitches to Channel 4's experimental animation schemes. He eventually escapes the UK by crossing the channel to France, where he winds up in a Gaulish village. The locals react with hostility and he flees across Europe, encountering the Winx Club, Pingu and Alfred J. Kwak amongst others.
He eventually leaves Europe and passes through Asia, getting attacked by suicide bombers from an Iranian propaganda film and later being forced to fight a Kung Fu Panda knockoff in a cheap Chinese direct-to-video feature. He finally winds up in Korea, where the local animators tell him that they can give his TV series a handsome framerate. He agrees, and lives happily until eventually some doofus decides to give him a CGI movie.
THE END