True, yeah. My focus in that original comment (I barely even recall how it came up now, since it was mostly beside the point I was trying to make there) was really on the things that Marina had to guide Scott through, though -- being able to express the romance, not attitude or carriage. Facial expression, primarily. That's what I meant -- the sorts of things he'd have to be able to do to sell programs in which the entire story is the romance, as in Valse Triste, and UoC, and Mahler, the things they hadn't had to deal with so much as juniors.