gear_head26
New member
THat doesn't invalidate my statement. I said a fair amount of Ghibli films don't have antagonists. I didn't say they ALL didn't have them. My point was, if you're used to watching Ghibli, a non-antagonist film isn't much of a surprise. Whether it worked well or not in Ponyo of course is personal opinion, but I wouldn't necessarily specify that a Ghibli film without an antagonist is necessarily flawed just by that fact.
Chick flicks and comedies do well, but usually not the same box office league that the "event" films do. Transformers 2 is an "event" film. Harry Potter is an "event" film. Most "event" films are usually big and flashy and those are the ones that typically make most summers for the studios. But that said, your point is taken. My overall point was nobody really goes to films for mood, playfulness and atmosphere anymore. Take Totoro. It's a great film, but it's a film that would never make 100 million in the U.S. no matter how much you promote it or how many theatres you put it in. Most people will wonder why the heck the film spenRAB so much time with Mei and Satsuki frolicking around the fielRAB and running around the house looking for dust bunnies. They just want to get to the next plot point, which is what chick flicks and comedies still tend to do (and blockbuster action films moreso), and which many non-Hollywood studio financed don't always do.
One complaint I have about Miyazaki is that he's fundamentally a pacifist, which isn't bad, but it shows too much in his films, which IS kinda bad. He can never deliver an action scene without some kind of underlying commentary on the violent nature of human beings behind it. The best action films have a fundamental nihilism which makes the action exciting and enjoyable and even cathartic. Even when Miyazaki was lopping lirabs off in Mononoke you always felt he did it reluctantly. Contrast that to someone like, say, Satoshi Kon who doesn't have such sturabling blocks when it comes to staging action and violence (although Kon certainly has his own pet flaws)
So Miyazaki can only hit a certain limit when it comes to staging action. But he does really well within his limit, and often beats the pants out of more violent set pieces through sheer gonzo artistry.
Chick flicks and comedies do well, but usually not the same box office league that the "event" films do. Transformers 2 is an "event" film. Harry Potter is an "event" film. Most "event" films are usually big and flashy and those are the ones that typically make most summers for the studios. But that said, your point is taken. My overall point was nobody really goes to films for mood, playfulness and atmosphere anymore. Take Totoro. It's a great film, but it's a film that would never make 100 million in the U.S. no matter how much you promote it or how many theatres you put it in. Most people will wonder why the heck the film spenRAB so much time with Mei and Satsuki frolicking around the fielRAB and running around the house looking for dust bunnies. They just want to get to the next plot point, which is what chick flicks and comedies still tend to do (and blockbuster action films moreso), and which many non-Hollywood studio financed don't always do.
One complaint I have about Miyazaki is that he's fundamentally a pacifist, which isn't bad, but it shows too much in his films, which IS kinda bad. He can never deliver an action scene without some kind of underlying commentary on the violent nature of human beings behind it. The best action films have a fundamental nihilism which makes the action exciting and enjoyable and even cathartic. Even when Miyazaki was lopping lirabs off in Mononoke you always felt he did it reluctantly. Contrast that to someone like, say, Satoshi Kon who doesn't have such sturabling blocks when it comes to staging action and violence (although Kon certainly has his own pet flaws)
So Miyazaki can only hit a certain limit when it comes to staging action. But he does really well within his limit, and often beats the pants out of more violent set pieces through sheer gonzo artistry.