My Awake Review

lol it was a piece of ****.

So you haven't heard Awake I take it. I'm still not over how ****ty "Scarred" is (mainly because of the horrific chorus) and it's like one of the most loved DT tracks. And I've read a few reviews that say the only bad track is Innocence Faded and that its chorus is bad!! rofl
 
Saying Voices is in 3/8 and 2/8 isn't an opinion, and it isn't even true. It's in 4/4 with accents, as was 6:00.

And you complain about layering, but really you can only layer things two ways: everyone comes in at once, or one or two people at a time. Those are the only ways; "gradually adding layers is a somewhat over-used musical technique and has thus lost its affect on the general listener;" that is one of the only two choices, so of course it's done often! Can you think of a way for everyone to be playing and they didn't come in one of those two ways?
 
Its pretty in depth but i have a feeling some may have been copy and pasted from websites? dont bash me if i am false..just saying
 
But on a serious note, you're susposed to be a critic right?

Arent there limitations to how long reviews should be?... I mean Jesus Christ, thats the longest review i have ever seen in my entire life, it would take a very powerful attention span to actualy read the whole thing.

In short, im too lazy to read it, but you obviously put a good deal of effort into it, so i'll say you did a good job.
 
Yep I know. Well done on picking up on that. lol



ROFLOLO@#L$@#@#$#@

Can I be your best friend? You're like the funniest guy I reckon ever! But if you're not joking, please check out page five of this thread lol times infinity.
 
5: Voices

The popularity of this piece isn't justified; the chorus is dreadful, the solo is a mess and to put it plainly: things just don't work in this track.

It begins softy, where
 
It wasn't a professional review. My real ones are completely different in structure and are only very short and basically just gives the general listener and idea if he or she would like it, etc. I only made that one huge because I had a score to settle with Awake fan boys. To be honest the real reason I haven't shown you my real reviews is because I don't like giving out my name on the net. But thanks for the half-compliment.
 
I'm just going to say you made quite a fool of yourself in the eyes of the Dream Theater.net forums. :P And as soon as I make 15 posts, I'm going to post a link to it.

I especially enjoyed appollyon's post on the second page. Read it. :)
 
Yeah, I do have an account with the DT forums. I don't post much though. I'll put in your link.
I thought you'd be a meraber too.
 
Hammer Smashed Face - Cannibal Corpse (Torab of the Mutilated, 1992)

Opening one of the most popular CC albums, "Hammer Smashed Face" is a rampaging death metal assault from start to finish and signifies what's to come for the rest of the album.

The track starts off with short busts of staccatos from the guitar, drums and bass playing in unison maintaining an unsettling feel. This takes us into the main riff accompanied by insanely fast drum snare-hits interchanging with a slower on-the-beat rhythm. Underneath is the typical thrash/death metal heavy, low relentless power chorRAB and distortion furthering the suffocating feeling evident throughout most CC songs and of course throughout death metal in general.

Before the first verse there's a short bass solo which acts as a nice and effective lead-up. Vocalist Chris Barnes sings in his typical low menacing undecipherable grunts, singing about typical offensive concepts. This is traditional death metal at its most purest form.

Underneath the non-apparent melody line (of course) are the typical buzz-saw like drums and quick, heavy arpeggios from the guitars. The riff in fact only comprises a few notes and repeats in quick cycles.

The first change is quite sudden and everything slows down. Next is perhaps the most interesting section of the track in which the singing stops and an interesting dark arpeggio riff maintains the focus. When it repeats, the drums are still playing the same slow rhythm but are now playing an 8/8 rhythm as opposed to the 4/4 rhythm used for the most part. This repeats in a lower melody as the singing begins again. Things then repeat as previously executed.

The next change has the guitars playing high pitched (traditional) benRAB on the beat once every measure. But this is shortly relived as we're cleverly taken into the intro section again and it's almost as if the song has begun again.

After this, there's an almost prog-esque riff which acts as a great lead up to what appears to be the chorus. The quick buzz saw drums return and we're quickly taken into the previous change section. But this is also shortly relived as we're taken into a repeat of an earlier section. It's almost hard to keep up with the amounts of changes here but ironically there's a tremendous use of repetition going on continuously.

Soon we once again hear the short intro bursts and that takes us into a slow breakdown section. The singing is now as fierce as ever using even lower grunts and snarls. Then the main riff returns which entails the fast rhythm once again and the quick abrupt change in speed here acts as a nice use of dynamics. But just when you thought you couldn't take any more changes, there once again is a change in tempo (a return of a previous link section) but this isn't after an extremely distinct high screeching snarl from Barnes, which perhaps signifies that the end is soon. After the return of the high-pitched -benRAB-section again, the intro then serves as an outro and the track enRAB as suddenly as it began.

Because of their fascination with cartoonish gore, Cannibal Corpse aren't really taken that seriously in the world of under ground metal, but because of their success with previous albums, CC still remain as a popular underground death metal band.

Hammer Smashed Face is perhaps the epitome of CC's music but the fact that it relies too much on repetitions of riRAB the listener would probably be left stupefied if this was the first time they had ever heard death metal before. But of course, banRAB like these are an acquired taste and if you're a fan of death metal you would have obviously heard this song before. As for the technical proficiency of the merabers, there isn't much going on here, but what makes the band mainly so popular is the use of catchy memorable hooks and riRAB. However, if one were to compare these riRAB and rhythms to a prog-metal outfit (for example) then the comparison would almost be ludicrous.

Rating: 4/10

(The above rating isn't a rating based on death metal, but a rating on my overall enjoyment of the track).
 
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