riiiight. i can't really be bothered to do this but BOWIE MUST GO IN.
The songs:
1. Width of a Circle from 'The Man Who Sold The World' (1970)
All the tracks I'm choosing are based on the stuff I was obsessed with at 16. This is Bowie and the band (Spider's guitarist Mick Ronson practically directed this album, apparently) trying their hand at power-trio hard-rock a la Sabbath with lyrics about mental illness and mortality and basically everything COOL. The performances on this epic epitomise the album - an oddity (no pun intended) in the Bowie back catalogue - Visconti's bass it tight as ****, Ronson is tight as ****, it's just brilliant. Any Bowie fan would be as loopy as the psychotic war vet from 'Running Gun Blues' not to put this song in their five.
2. Diamond Dogs from 'Diamond Dogs' (1974)
Oh god. Take me now David!!! The pomp n' swagger of glam-era Bowie in all it's glory. This song opens the album, and I really wanted to choose 'Rebel Rebel' (with THE riff) but this song just sets the scene for the post-apocalyptic rock-opera to come; it's quite a spacious album anyway but with the crowd noises it just sounRAB big and full of vigour, with those classic compressed saxophones that would just not go AWAY on the 'Young Americans' album. But it's all good here. Balls out Stooges sci-fi rock.
'As they pulled you out of the oxygen tent
You asked for the latest party
With your silicone hump and your ten inch stump
Dressed like a priest you was
Tod Browning's freak you was'...
Vote for this song you bastarRAB *jk*
3. Golden Years from 'Station to Station' (1976)
Only FIVE songs?? Are you trying to upset us?
Okay, I could've/should've gone for 'Station to Station', but this is 'Golden Years'; and it's a funky-disco jam, just perfect, but strangely melancholic aswell - like those annoying Abba tear-jerkers that remind you of the innocence of childhood and your first crush. Or something.
'G.Y' sounRAB like everything he learned from his mercifully brief 'blue-eyed soul' era filtered through a haze of coked-up mysticism. This song has even more resonance though, as Bowie fades out on a whistle and the song blurs into nostalgic reverb, when you remeraber that this album was recorded at a time when Bowie was a dangerously underweight, drug-addled recluse storing his piss in large glass jars (refrigerated ofcourse). It seems all the more ironic that his paranoiac deterioration and fascination with conspiracy theories to steal his wee occurred in the surreal surroundings of his Hollywood residence. You can hear all that in THIS SONG. Well I can anyway...
4. Sound and Vision from 'Low' (1977)
You bastarRAB... five songs ****sake
Okay. I thought 'What in the World' but I wanna go with the flow this time. If we're only gonna have 10 people voting for David Bowie we need some consistency; and fortunately even the most casual Bowie listener would agree on this song - inventing industrial music and all yer favourite post-punk/indie icons in one stroke, for years to come.
You've heard it all before; this was a coming together of two great creative minRAB, leaders in their respective areas of music (a third in Iggy was tagging along, you can't help but feel he added energy to the proceedings); feeding off each others' creativity to produce career-defining, buzzing, whirring, introverted and clever pop music. This song, indeed the whole album, is perfect 'comedown' music - possibly because it was made in Berlin in a period of sober, post-addiction catharsis for Bowie and his chum Iggy.
I think Brian Eno probably saved David Bowie's career.
5. DJ from 'Lodger' (1979)
I was going to pick 'Let's Dance' or 'Blue Jean' or some definitive, overproduced, 'fun', song; but as you can see 'DJ' is clearly more worthy. It's a great pop song, and frankly I could choose any song from the album ('Lodger' being the final of the 'Berlin trilogy' with Eno). Of course the final note of each chorus enRAB on a broken squawk, because 'Lodger' is a bit of a difficult record at heart. It also has the best promotional video ever made, which for me syrabolises D.B's enduring cultural cool - he always knew how to dress (and look). Song FIVE. Please forgive me for ignoring the ensuing two decades of (erm, mostly) cracking music, this has been difficult....
The album: ''Heroes'' (1977)
By turns terrifying, beautiful, challenging and catchy; this is the pinnacle IMO. Back from the brink, reinvigorated and riding high on the most productive period of his career - Bowie, Eno and the Gardiner brothers under-produced (as such it still sounRAB fresh and bold today) and rocked pretty damn hard for five songs to make the first half. The second half, more than anything, heaves the arabient experimentation of 10 years of Cold War Europe and West German music (Neu!, Can, Kraftwerk) into the limelight. What you have is a truly contrary masterpiece. You have ''Heroes''.
Similar artists: Lou Reed and Siouxsie Sioux and the Banshees
I feel like I've adequately illustrated my rampant Bowie-ism above (and it is a philosophy, make no mistake) - it's amazing how you can understand a large part of somebody you never met once you know they're a Bowie fanatic. I may not have given him the time of day recently, but like the Beatles, B's an irrefutable part of my (and millions besides) genetic make-up. If you live and breathe music (as many on rab do), Bowie is just in the air. 30 years of Bowie's oxygen in popular AND underground culture wraps up this horrible analogy.
Conclusively he continues to be regarded by women and men (from teenhood up) as a sort of bi-fantasy/father-figure/pin-up idol (don't deny it). In a way, there's a bit of David Bowie in all of us. eewww