I know GS isn't aimed at my generation (Gen X), but as a film student & professional screenwriter (long, loooooooong ago) I also could not get into GS as being "the" definitive Generation Y movie. It was just your typical indie-romance film with a bit of "What do I do with my life now?" angst thrown in for good measure in my opinion.
Also, I want to clarify something I said earlier in case I offended anyone.
What I mean when I say "PotC 2" is a female-friendly movie is that it A) Stars a lot of good looking male actors like Johhny Depp, Orlando Bloom and the guy who plays the commodore; B) Captain Jack Sparrow is essentially a Gay character which makes him even more likeable; C) The core of the story is a love story between Will Turner and Elizabeth Swann... Etc, etc.
I could go on, but it is obvious why Pirates made so much money because it literally is a carbon-copy of Titanic if we look at these elements alone and disregard the almost non-existant... Some can argue convoluted... Story because as stand-alone movie/story... Pirates 2 is pretty weak in my opinion. Especially, if you compare it to the first one which had more of a concrete, coherent story at its core.
GoodnightBoy
You bring up an interesting point about a lot of Asian-remakes.
"The Lake House" is a prime example of this... Although, I personally thought it wasn't that bad compared to "Il Mare".
Now, if we start talking about all the Japanese-Horror remakes then I am sure we will agree this needs to cease and desist immediately because all the American remakes end up being are Americanized "thrill rides" that shock and scare you, but loose a lot of the original spirit(uality) the original films had because of the differences in cultures.
The original Ring (Ringu) worked because it was originally a tale about messing with mother nature because Samra (in The Ring) is a direct result of this -- Her mother wanting a child so bad she made a deal with "The Devil" -- But this subtext is completely lost to Western/American audiences because it turns into another shock-them-out-of-their-seat fests with some creepy long-haired girl instead of what that long-haired girl really
means, or supposedly represents.
Don't get me started on "The Grudge". Even with the same Japanese director, the film is an American Bastardization trying to be "Jason/Freddy in a Kabuki" or whatever you want to call it.
Blonde
It is interesting you cite films from the 1970 and '80s as those eras marked a difinitive period in American cinema because the U.S. (and other countries) were coming off the turbulent '60s (Fee-Love; Vietnam) and still in the midst of the Cold-War.
A lot of the films of the '70s and '80s deal specifically with the themes of nuclear destruction and not trusting the government, or new technologies. Even films like "Porkys" and "Fast Times" are about being young and trusting no one over 30
Some of the really good movies of this era are "All The President's Men", "War Games", "Blue Thunder", "Wall Street" and even the TV mini-series "The Day After" which told the story of the day after WWIII (nuclear attack) and it is the most realistic and terrifiying movie I have ever seen because the producers wanted to make it a strong anti-war movie and not just a cheesy post-apocalyptic movie like others had done before it.