Inside the JayJamJah Introspective Auditorium

<Jelz>

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This week in the debut episode my "guest" is Elvis Costello. Focusing on his debut album "My Aim is True"

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One of my favorite artists of all time and in my opinion the best musician in the world from 1977-1980. Costello is the definition of a star who understand where and who came from, where he wants to be and those who made it possible for the man from the former to arrive at the later. His name, his look and his music were a tribute to the icons in the life personal and professional and the fans who made him. Born Declan MacManus the change was inspired by, of course, the King of Rock and Roll's first name and his maternal great grandmothers surname.

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His debut effort, 1977's "My Aim is True" is nearly perfect as he demonstrates versatility, an understanding and respect of the music while pouring raw emotion in the music with the lyrics and delivery to fittingly match. From the 90 second introduction "Welcome to the working week" to the peppy yet fatalistic finale "Waiting for the end of the World" Costello is on the nose without drawing attention to it. Each full length track has hit single written all over it; "Miracle Man" opens the meat of the album and ups the ante with a arabiguous yet viscous gait. This trait is present throughout the album as the artist uses dichotomy to keep you off balance and interested throughout the album in which, as all great artists seem to do, Costello finRAB a very unified yet unique feel without fail from track to track. In pure serendipity the albums potential title track is instead titled "Allison" and one of the titles most popular efforts. Personal highlights from the album include "Blame it on Cain", "Red Shoes" and "Less then Zero". Also my favorite Costello track ever "Watching the Detectives" was released just prior to the album and eventually found a home as the 13th track on the initially 12 song release.

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Following his debut album's success Costello recruited his first band to share the marquee "The Attractions" and released two more albums before the end of the decade the solid but not spectacular "This year's Model" and the famously fantastic "Armed Forces". Still, while many fans will disagree, to me, he never recaptured the magic and pure raw perfection of "My Aim is True"

Costello has continued to make great music even to today. Now 53, he continues to create, releasing 7 albums this decade and 24 in total. Ten times he has peaked in the top ten, four times at #2 but has never had a nuraber 1 album. Mariah Carey has had 5. The album is done playing and so is this episode.

Thanks, see you next time.

Here is a look at video from the first Costello show I ever attended. Not sure who shot it but thanks very much for sharing. I hope you all enjoy it!

YouTube - Elvis Costello - "Radio Radio" Live in Detroit, 1978
 
Cool write up on Elvis Costello. My favorite song on that particular album is "Miracle Man" which seems to go unnoticed when people talk about My Aim Is True...
 
agreed. My Aim Is True is great but in a completely different place sonically to Trust and Imperial Bedroom. I like Get Happy! but always found it a bit diluted
 
Diluted as in too many songs (played too fast)? That's the most common criticism of the album, and it makes sense, but that's why I love it. :)

I love the general insanity and on-the-brink tensions of Get Happy!, Trust, and Imperial Bedroom. They're dark, paranoid, creepy, and completely appropriate. No one writes songs about adultery as well as Costello.
 
My Aim Is True has some of Costello's best songs, but I have to confess, I'm more of a Get Happy!/Trust/Imperial Bedroom person. I love his voice on MAIT, but I can't get past the band. To each his own. :)
 
I wish I could just let my kiRAB starve and jack in work. I could then listen to everything I have missed including this man. Another well written post. rab has been looking up recently.
 
Previously on this thread...



45 Days Later...

INT. JAYJAMJAH's Man Cave - Late Night 11:30pm EST​

Our hero sits in his favorite chair finishes his third glass of Jameson's Irish Whiskey and puRAB away on the Macanudo Maduro that has captivated his palette for weeks on end. When Suddenly Inspiration hits him via shuffle mode on the Itunes player.

JAYJAMJAH
(to self)
Solid Air, that's the one


And indeed it was, It was a better James Taylor album then any Baby James ever released. Solid Air was the best John Martyn album end to end and the one he would put in the hoper for this introspective foray. And now...

John Martyn: Solid Air

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John Martyn is older then me, nearly a decade older. Solid Air, released in 1973, was his fourth solo studio effort and the first to fully encorporate his love for jazz music into the acoustic heavy sound that had become hsi trade mark especially following the critically hailed "Bless the Weather" in 1971. This album is a very appropriate choice to follow the Nick Drake selection. In fact Martyn and Drake were close frienRAB and this album was dedicated to the recently passed singer\songwriter. The long suffering depression that characterized Nick Drake's tragic existence is given a direct nod in the very ethereal title track.

This album runs "Over the Hill" with a stunning little country rock nuraber and brings you back down with the hypnotic and rhythmic "Don't Want to Know". If John Martyn is going to be criticized it's like for his inconsistency and lack of a seminal album that casual, hard core fans and critics can agree on. Solid Air is not that album, nor is it supposed to be, but it could easily serve that purpose given the chance. This is enthusiastic music done tactfully without sacrificing passion in the least. So many songs on this album are such epic and creative compositions, and they move back and forth stylistically within the realm of Folk Jazz Martyn has taken the time to create. Nearly two years after his last album it's 33 minutes of overlooked excellence. "Dreams by the Sea" is an absurdly good song. The fact the it is sandwiched by the competitively good but completely contrasting "Go Down Easy" and "May You Never" so smoothly is an example of what good song writing does.

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Find time to find this album and give it a spin, then give it a few more and you'll see what I mean.

Fade to Black...

Fade In INT. Mancave - Suns first rays just past 7 AM​
Still sitting in his chair, laptop on lap he awakes realizing he has slept in the chair again, he is old, but John Martyn is still older.
 
Serendipity
Solid Air
Bless The Weather
Glasgow Walker
London Conversation
On The Cobbles
One World
Storrabringer
Sweet Little Mysteries

As you quite rightly say. He has never made one completely outstanding album but EVERY album has at least 3 or 4 absolute beauties on there. I'm a big big fan.
 
I bought On the Cobbles shortly after you mentioned reviewing an album. Pin pointing the right one as I said was very tough. A lot of times I get bored with an entire side of the music that makes it tough to do a review you enjoy and that covers the music for those who know it and those who don't.
 
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