tfutrell_crt
New member
And yet from an animation/design perspective it was one of the best in the series. There's not a dodgy looking frame in the entire episode. Doesn't it bug you when a throwaway episode looks better than an "important" one?
Bebop is a roaming type of series. From a structural standpoint, many episodes feature writing that essentially go nowhere. Some episodes are merely mood pieces, and some are essentially stories written around a single gag.
I agree with someone else in here that overall, Samurai Champloo probably had tighter writing.
But Bebop goes to show you that memorable characters (and memorably character DESIGNS) go a long way. Faye, Jet, Spike and Ed are iconic. Put a them in a picture full of 1000 anime protagonists and you'd spot all four of them immediately. They're that recognizable, and you definitely can't say that for about 90% of anime out there.
I did and still do believe Bebop is a show that hangs much of its strengths on its style. But that's okay, because WHAT STYLE IT IS!
Bebop is a roaming type of series. From a structural standpoint, many episodes feature writing that essentially go nowhere. Some episodes are merely mood pieces, and some are essentially stories written around a single gag.
I agree with someone else in here that overall, Samurai Champloo probably had tighter writing.
But Bebop goes to show you that memorable characters (and memorably character DESIGNS) go a long way. Faye, Jet, Spike and Ed are iconic. Put a them in a picture full of 1000 anime protagonists and you'd spot all four of them immediately. They're that recognizable, and you definitely can't say that for about 90% of anime out there.
I did and still do believe Bebop is a show that hangs much of its strengths on its style. But that's okay, because WHAT STYLE IT IS!