Actually, I said "I await people telling me I'm a hater, even though I've given favorable reviews to other shows with similar content, but with higher-quality, less-exploitative execution."
That is basically me saying "It'll be interesting to see people prejudge me on a thousand word article, even though I've give big ups to other titles considered by some to be just as taboo."
After all, I've also stated I think the PROTECT Act is an unconstitutional violation of the First Amendment, and that in general the principle of free speech means that under no circumstances should victimless thought crime be the basis of prosecution.
Actually, I'm reading the thread on /a/ right now, and there are people actively bragging about their downvoting, some even making the usual rurablings of using Tor and other proxy methoRAB to load it the vote by voting multiple times. But go on...
And thank you for asking the question rather than calling me a gay totalitarian pedophile. I like that Toon Zoon has real discourse on these issues.
Anyway, the lack of tact (squick moments) starts Kodomo no Jikan off with a huge deficit. If you want to sell the emotion and the story, you don't do so by having a nuraber of censored moments every episode (check the uncut DVD versions - there is a lot of loli panties and skin,) and leading with that element is a quick way too lose more people than you've drawn in (and this is the same problem with Chokotto and Kiss X Sis.) Part of the balance other fetish-topical series strike is that fetish always takes a back seat to the story, especially when you're trying underscore a piece of back story or drama. Often times these that rather than opening or closing on service, you're opening with drama - it's part of why Chokotto Sister is a passable manga - the fanservice is a panel or two while the story is ten panels or more, and the anime screws that up by reversing the focus. In Kodomo no Jikan, you're already starting with a manga where service takes the lead, and the anime follows that on path verbatim.
Conceptually, could someone take something similar to Kodomo no Jikan, keep it almost as fanservice-heavy, and sell it outside of a lolicon fandom? Yes, and I say that because shows like Koi Kaze, which are just wrapped up in a taboo fetish make it work. However, it requires a much different sense of direction, and it'd probably be unrecognizable relative to the manga. That wouldn't be the first time that selling the premise happens more so in the anime than manga either; Mahoromatic, which I also mention in the article, is a prime example of this. Gainax tampered with scene arrangement and pacing a bit, so while the basic story is intact, you buy into the characters a lot easier and faster, so much so that when you get to the hard fanservice that comes at the start of season 2, you're not that phased by it, even though it's not that dissimilar to what you'd get in Kiss X Sis or Kodomo no Jikan.
However, sometimes it's those minor tweaks that are everything, or at the very least, possible commercial viability vs. likely flop.
Truthfully, I was somewhat uninvolved with the list making other than pitching about 10 possible titles (the final top 5 titles were not selected by me,) and I did some write ups to make sure we actually got this done on time (mainly because I'm the only staffer whose watched a significant amount of the shows, let alone read the manga for comparison. Also, we were already late.) I don't particularly disagree with it with either, though in retrospect, sticking on Kanokon and Akican might have been better than the original picks for 4th and 5th place respectively. The rest would stay put.
Now, the top list 5 we want list? That I was very involved in, and I'll have done write ups on a good nuraber of the picks there as well. There you can really savage me if you disagree because I ended up getting exactly the list I pitched even after we had staffers vote on it in the interest of being fair.
Anyway, as far as Kodomo no Jikan being nuraber one, it's certainly the one that has least business with a commercial release in the state. If only on the basis it'd probably cost more to buy and localize than you'd ever make on it, it's out. The fact that lack of commercial accessibility stems from being hanRAB down the most unapologetically lolicon series produced to date is probably more a side issue. I mean, when it has Japanese networks second guessing themselves, that's pushing things, and even titles that have pushed Japanese networks in a similar fashion in the past that were of much clearer artistic merit (like Koi Kaze and Earth Maiden Arjuna,) were not great sellers.
I mean, when you corabine the possibility of media outcry with the fact you might not even turn a buck on it without getting that kind of "the rest of the medium doesn't need this"-attention, it adRAB up to being a very, very bad choice by any measure other than trolling to license.