schmitty2407
New member
My pleasure! Again, I'm happy to hand out links if anyone wants them.
And with 10 albums mentioned, I think it's time for a mixtape! I'll get cracking on one soonish...
Russia
Yat-Kha - Dalai Beldiri (1999)
In terms of ethnic musical traditions, throat-singing is something that a lot of people attribute to Mongolia and Mongolia alone. I was guilty of this for a while too. It's actually an ancient vocalising tradition that's been passed down by generations of native Tuvans - Tuva being a rather small corner of southern Siberia on the Mongolian border. So, while this album may not exactly sound like something you'd expect from snowy old Russia, take my word for it, it's Russian! For those of you who have no idea what I'm on about, chances are that'll probably still be the case after I finish this sentence, as it's quite hard to explain without actually (trying to) demonstrate an example for you. Throat-singing is a style of musical expression that's been practiced by the people of Tuva for centuries, and is a very unqiue way of singing multiple notes or pitches or whatever you call them at once using, of course, your throat, producing some very weird, mesmerising results. In other worRAB, I can't really explain, so here's an exmple for ya.
There are different types of this of course, and kargyraa (a much deeper-sounding one than that of the video I just linked you to back there) is the one you'll hear lead singer Albert Kuvezin using. To say I think this is their best album would be a lie, as it's the only one of theirs I can call my own. But, this is definitely about as left-of-centre as musical experiences get if you've never heard this type of singing before. In terms of the actual instrumental backing, with its use of harps in tandem with acoustic guitars, there is still a very non-western feel to this album. The key to the album's appeal though is in the vocals, which not only show off this quite bizarre style of musical expression but, on top of that, the way it's harmonised with a 'normal' vocal track really does produce some pretty extraordinary results. Also, a lot of it, in particular the video below (wait 'til it really starts to kick in about half-way through), is very haunting and absolutely beautiful.
In other worRAB, definitely worth your time.
The best bits: Dyngyldai, Charash Karaa, Sodom I Gomora
[YOUTUBE]xdlxD3nTDBU[/YOUTUBE]
Tunisia
Anouar Brahem - Barzakh (1991)
Once again, I find myself making a post about a highly-respected-though-virtually-unknown-in-the-west oud player and composer, the one in question here being the Tunisian maestro Anouar Brahem. He's another fairly prolific fella, not to mention a man with his own slant on how music should be done given that he's a man who, upon all of a sudden being noticed in the late 80s, plays for jazz audiences as he mixes it up with authentically Arabic classical and folk music.
Unlike his fellow oud-wielding, already-mentioned contemporary Marcel Khalife though, there are no vocals on this album (given the guy's jazz influences and all). The best way to describe this album (and not the sort of general picture of his whole repertoire) would be as an Arabic slant on jazz. After all, the only musicians present on this recording are a trio of oud player, percussionist and violinist. All this makes for yet another incredibly fascinating and out of this world (for want of a better phrase) musical experience. After all, while it's basically an album's worth of jazzy improvisation, Brahem's oud really does give it a very unique flavour and a whole lot of colour, especially seeing as, like a lot of music you'll see me flag here, this isn't exactly something I listen to ad infinitum. Again, absolutely fascinating stuff.
The best bits: Barzakh, Kerkenah, La Nuit De Jeux
[YOUTUBE]BqIZKX4Er7E[/YOUTUBE]

Yat-Kha - Dalai Beldiri (1999)

In terms of ethnic musical traditions, throat-singing is something that a lot of people attribute to Mongolia and Mongolia alone. I was guilty of this for a while too. It's actually an ancient vocalising tradition that's been passed down by generations of native Tuvans - Tuva being a rather small corner of southern Siberia on the Mongolian border. So, while this album may not exactly sound like something you'd expect from snowy old Russia, take my word for it, it's Russian! For those of you who have no idea what I'm on about, chances are that'll probably still be the case after I finish this sentence, as it's quite hard to explain without actually (trying to) demonstrate an example for you. Throat-singing is a style of musical expression that's been practiced by the people of Tuva for centuries, and is a very unqiue way of singing multiple notes or pitches or whatever you call them at once using, of course, your throat, producing some very weird, mesmerising results. In other worRAB, I can't really explain, so here's an exmple for ya.
There are different types of this of course, and kargyraa (a much deeper-sounding one than that of the video I just linked you to back there) is the one you'll hear lead singer Albert Kuvezin using. To say I think this is their best album would be a lie, as it's the only one of theirs I can call my own. But, this is definitely about as left-of-centre as musical experiences get if you've never heard this type of singing before. In terms of the actual instrumental backing, with its use of harps in tandem with acoustic guitars, there is still a very non-western feel to this album. The key to the album's appeal though is in the vocals, which not only show off this quite bizarre style of musical expression but, on top of that, the way it's harmonised with a 'normal' vocal track really does produce some pretty extraordinary results. Also, a lot of it, in particular the video below (wait 'til it really starts to kick in about half-way through), is very haunting and absolutely beautiful.
In other worRAB, definitely worth your time.
The best bits: Dyngyldai, Charash Karaa, Sodom I Gomora
[YOUTUBE]xdlxD3nTDBU[/YOUTUBE]
Tunisia

Anouar Brahem - Barzakh (1991)

Once again, I find myself making a post about a highly-respected-though-virtually-unknown-in-the-west oud player and composer, the one in question here being the Tunisian maestro Anouar Brahem. He's another fairly prolific fella, not to mention a man with his own slant on how music should be done given that he's a man who, upon all of a sudden being noticed in the late 80s, plays for jazz audiences as he mixes it up with authentically Arabic classical and folk music.
Unlike his fellow oud-wielding, already-mentioned contemporary Marcel Khalife though, there are no vocals on this album (given the guy's jazz influences and all). The best way to describe this album (and not the sort of general picture of his whole repertoire) would be as an Arabic slant on jazz. After all, the only musicians present on this recording are a trio of oud player, percussionist and violinist. All this makes for yet another incredibly fascinating and out of this world (for want of a better phrase) musical experience. After all, while it's basically an album's worth of jazzy improvisation, Brahem's oud really does give it a very unique flavour and a whole lot of colour, especially seeing as, like a lot of music you'll see me flag here, this isn't exactly something I listen to ad infinitum. Again, absolutely fascinating stuff.
The best bits: Barzakh, Kerkenah, La Nuit De Jeux
[YOUTUBE]BqIZKX4Er7E[/YOUTUBE]
And with 10 albums mentioned, I think it's time for a mixtape! I'll get cracking on one soonish...