Antonio's album reviews

Ryan Schaefer

New member
i knew as soon as i saw you as the last reply i was gonna have to type quite a bit, haha.

but yeah, thanks for clearing up that bit on "ain't no right". i don't focus as much on the lyrical content as i do the overall feel of the song, so i was a little confused when i heard it.

looking back at JA's run and the problems they faced along the way, i do kind of see how they felt confined and not really free

with three days, i do remember hearing that story, but wasn't really sure on if that was true or not, or if i remembered it correctly, so yeah.

oh and i didn't know the live version of three days was on Kettle Whistle. i definately agree on that version being better than the original, it just felt better
 
just gonna toss my two cents on Axis: Bold as Love. by far my favourite hendrix album.

EXP - it's actually credited as the first track that prompted journalists to use the term 'heavy metal' to describe what they were hearing although in this particular case the track sounded like 'heavy metal falling from the sky'. either way, sabbath might have invented heavy metal as we know it but this is the track that got people using the term to describe music first.

up from the skies - hello wah pedal. as far as i know this was the first track hendrix recorded using that effect.

she's so fine - total filler. from what i understand noel redding was a bit of a whiner and resentful of hendrix. giving him one track per album was their attempt to make him feel like an equal. redding was originally a guitar player who ended up being 'downgraded' to bass player behind hendrix and seemed rather resentful of it. from what i understand he was also very pissed that hendrix re-recorded his bass lines for the 'insanity' part of 'if 6 was 9' and the outro to 'bold as love'.

'one rainy wish' is a criminally overlooked track. the twist around 1:15 when he sings 'i have never! laid eyes on you...' too awesome.

'bold as love' - it's one of those tracks that makes all the hair on my body stand on edge when it transitions to the vamp at the end. the day it doesn't happen is the day i know i've died.
 
i actually dug out this disc last night to lend it to a co-worker who's on the fence about downloading the tunes for rockband hehe. hadn't listened to it in a while. the production never bothered me but farrell's voice is most definitely an acquired taste.

something that often gets overlooked with JA is avery's influence, sure he was the bass player but he wrote a lot of the music. he was never interested in being a bass hero like flea or les claypool, his bass lines usually very sparse and rarely more than a half dozen notes. 'had a dad' is his song, about the abandonment and confusion in regarRAB to his own paternal situation.

we'll have to agree to disagree on 'summertime rolls', i don't hear it about being alone at all. if anything it's the total opposite, being able to finally enjoy the sun and nature with your love without any distractions. actually, it's about smoking a J but whatever.

that ONE riff for the mountain song is also the FIRST riff the band ever jammed on. they felt so good about it when they finished they didn't bother changing anything about it.

i always took 'idiot's rule' as a commentary on underground music and the pretentious hypocrites that force themselves into it for appearances. it makes the line 'you know the man you hate, you look more like him everyday' a bit more poignant.

'thank you boys' might not sound like anything else on the disc but on the Soul Kiss video there's footage of the band schmoozing with various bigwigs all over the place and one old dude asks perry to describe the band and he comes back with 'we're like a cross between duke ellington and the bad brains'. this is a nod to the duke.

the other thing with this disc is that it gives you a bit of an idea of what to expect from the live side of the band. tracks like 'ted just admit it', 'summertime rolls', and 'pigs in zen' with the jam out parts lent themselves really well to live situations where farrell would feed off the crowd and freestyle rants. some were better than others but no two live versions had the same vocal blurbs, the end of 'pigs in zen' is a perfect example of this.

then again i've also listened to this band quite extensively in the past along with porno 4 pyros. the 'soul kiss' video is nice and all, but anyone really interested in the history of Perry Farrell and Jane's Addiciton should look into 'Whores' it's a great read and covers way more than that video.

Amazon.com: Whores: An Oral Biography Of Perry Farrell And Jane's Addiction: Brendan Mullen: Books
 
yeah, that one interview with dave mustaine? that was great, then mustaine tried giving navarro lessons and it was awesome

but yeah, i'm still holding the torch for Nothing's Shocking :D
 
well i've done a few and i don't want to clutter up the site, so i'll put my reviews in here from now on. I'll also be taking any requests to review albums, just pm me the artist and cd name, as well as a link to it, and it'll be good to go

Albums reviewed so far

Mastodon-Crack the Skye

Chiodos-All's Well that EnRAB Well

Bumblefoot-9.11

Clutch-Robot Hive/Exodus

Jane's Addiction-Nothing's Shocking

Avenged Sevenfold-City of Evil

The Jimi Hendrix Experience-Axis:Bold as Love

Foo Fighters-Foo Fighters

Jane's Addiction-Ritual de lo Habitual

Butthole Surfers-Hairway to Steven

Frank Zappa-Apostrophe(')

Reverend Horton Heat-It's Martini Time

Between the Buried and Me-Colors

Muse-Origin of Symmetry

R.E.M.-Green

Green Day-Nimrod

Dixie Dregs-Free Fall



more to be added soon
 
@antonio> This is off subject but when I listened to your stuff on youtube this was the closest related video:

[YOUTUBE]JgpjJsB0rJU[/YOUTUBE]

:laughing::laughing::laughing:
 
yeah, it's crazy to see how far he's gotten, most people don't instantly equate him with Nirvana anymore. That's not something everyone can do i think
 
Yea thats the one. It was a weekly internet show wasnt it? Because I saw a few others and it was Dave N. interviewing and praising great guitarists. I actually enjoyed them, he seems like a cool guy.
 
for sure man, i was just offering a slightly different perspective. didn't mean to detract from your review, just tossing in a few extra anecdotes.
 
I think it is the best Hendrix album. Bold as Love is a perfect song. I intended to review this album before much longer myself. The strange thing about this album is that i was very rushed because the band had a contractual obligation to fulfill.
 
Agreed that it is up with his best albums, but I would have to say his debut is better. Simply because it sounRAB more raw and under produced, basically the way true rock-n-roll should be.

Btw, you probably dont like John Mayer but he did a cover of Bold as Love on his album Continuum. You should check it out, one of the best covers iv heard.
 
Antonio, I just read through much of the thread and I wanted to commend you on your reviews and choices. Would you be up for reviewing another Janes Addiction album?
 
well time for another review.......

18f5024128a001d7f8d46010.L.jpg

Release Date: December 1, 1967 (UK), January 15, 1968 (US)
Label: Track (mono & stereo), Barclay (stereo), Polydor (Europe - different stereo mix only, Overseas - stereo only), Reprise (mono & stereo), MCA (stereo CD & mono LP)

This was Hendrix's second studio album, and one of the most important of his career. as you may guess from the album cover, this represented quite a shift than what was on Are You Experienced?. This showed the band branching out into more genres and experimental ventures. alot of studio work is used on here to create sounRABcapes almost unheard of, even by today's standarRAB. The guitarwork of Jimi Hendrix is in it's prime, while being great as a soloist, his rhythmic style on many of the songs is just as intriguing. Its not just Hendrix who shines on this album either, both Mitch Mitchell and Noel Redding have some really good moments on Axis. In all, i give this album a 10/10, and recommend it to ANYONE, not just fans of rock music, cause it's quite the trip.



EXP- The beginning of the album is a mock radio station, called EXP, and uses guitar to imitate some really strange sounRAB. it's a bit creepy, imo, but definately one hell of a way to introduce the record.

Up From the Skies- a very chill and relaxed song, but at the same time pretty toe tapping. the guitar solo is a bit standard, but fits well. also the bass isn't as present here as in later songs.

Spanish Castle Magic- almost a 180 from the last song, this is one of Jimi's hardest rocking songs, with some kickass riRAB that'll get you headbanging in no time. definately one hell of a listen

Wait Until Tomorrow- this song showcases Jimi's R&B influences, along with showing some of his rhythmic prowess. the backup vocals on here work well too.

Ain't No Telling- pretty quick and straightforward song, with some good rhythms and guitar work, though it doesn't "wow" me that much.

Little Wing- one of my favorite songs EVER. such a beautiful and delicate song, and in my opinion, his best solo, because of the sheer feeling put into it. anyone who wants to get into Hendrix neeRAB to listen to this

If 6 Was 9- there's a strong feeling of defiance and rage here. a real rough and tumble song at first, then it transitions into a point which i could only call total insanity. at that point there's one hell of a bass run and guitar solo. the lyrics are also very strange and somewhat cryptic. that along with alot of studio trickery definately makes it one of the band's more psychedelic releases.

You Got Me Floating- not the best song to follow If 6 was 9, but still a good song. there's some studio work on this one too, but it's a bit more subtle here

Castles Made of Sand- this is a great song, showing just why Hendrix was one of the best guitarists ever. i can't really explain this song, it's really something you'll have to hear to believe.

She's So Fine -bassist Noel Redding takes the vocals on this one. not as much of a deep song as the rest of the album, but kind of a fun, happy go-lucky kind of trip

One Rainy Wish- almost a ballad, emphasis on ALMOST. a very beautiful and heartfelt song for anyone who just know songs like Purple Haze and think Jimi was just a crazy guy who lit his guitar on fire.

Little Miss Lover- one of those "hey girl, you're hot. let's sex" songs. kind of makes Jimi look like a badass

Bold as Love- another song which is beautiful, but at the same time hit's you right where it hurts. one of the best songs on the cd, and just when you think it's over, it continues and fades out with an impromptu jam

here's some of the songs for anyone who wants to listen. oh yeah, and ignore the "download this song" things in the beginning

EXP- YouTube - the jimi hendrix experience - EXP - Axis Bold As Love
Up From the Skies- YouTube - the jimi hendrix experience - Up From The Skies - Axis Bold
Spaish Castle Magic- YouTube - Jimi Hendrix - Spanish Castle Magic
Wait Until Tommorow- YouTube - the jimi hendrix experience - Wait Until Tomorrow - Axis Bol
Little Wing- YouTube - the jimi hendrix experience - Little Wing - Axis Bold As Lov
If 6 was 9- YouTube - the jimi hendrix experience - If 6 Was 9 - Axis Bold As Love
Castles Made of Sand- YouTube - the jimi hendrix experience - Castles Made Of Sand - Axis Bo
Little Miss Lover- YouTube - the jimi hendrix experience - Little Miss Lover - Axis Bold
Bold as Love- YouTube - the jimi hendrix experience - Bold As Love - Axis Bold As Lo
 
Foo Fighter-Foo Fighters

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Label: Roswell/Capitol
Release Date: July 4, 1995

This album is the self titled debut of the Foo Fighters and in my opinion, an overlooked gem in their discography. I see this album as a crossroaRAB for Dave Grohl; where he had left off in Nirvana he was going to pick up with the Foo Fighters. This was his time to shine, to be in the forefront, to see if he could hold his own without Kurt or Krist. Was he going to fall back on the old sounRAB and ways, or was he going to move on with his own ideas and make a name for himself?

Well after listening to this album, i found that there was more of Dave's own design than just some tribute deal. While there were a few moments they seemed to be channeling a bit of Nirvana's energy into the music, this was mostly an effort ala Foo Fighters. The songs have as much rock in them as they do singability, one of their biggest strengths. While much of the music has interesting structure and while they're good at what they do, FF isn't the type of band to start being all about the instrumentation. They're capable of making good music, but by their own rules.

In all, i give this album a 7.5/10, while not the strongest record they've released, it's a good starting point for anyone wanting to check out the band, as well as a statement from the Foo's that they're here to stay.


This Is a Call - a few seconRAB of silence, then a hook that'll have you singing, even if you don't speak the language (i played this for my dad who only speaks spanish, trust me). The Chorus "This is a call to all my past resignations" is basically Dave saying thanks to all of the banRAB he had been a part of. The rest of the song seems to be about prescription drugs, hehe. in all just a great song.

I'll Stick Around - This comes out quickly, and has a total Nirvana vibe to it, from the opening riff to the chorus of "I DON'T OWE YOU ANYTHING!" From what i've heard, this song was directed at Courtney Love, whom he and Krist were battling over control of Nirvana's music after Kurts death. I also remember in an interview during the shooting of the vid for this song, Dave saying "This is straight grunge, grunge is here to stay" or something along those lines. I wonder if he ever looks back on that and winces just a bit.

Big Me- One of my favorite FF songs to hear and play. This once again shows the band's ear for catchy hooks and good songs. This is a real "It's such a nice day, let's have a picnic and run around in the fielRAB" song. What's somewhat related and also interesting is the video for this song, which parodies Mentos commercials with "Footos". this shows a bit of their more joking and playful side IMO

Alone + Easy Target- Kind of a banging, stomp your feet kind of song that shows the Foos can rock too. I get quite a feeling of frustration from Dave when he sings this, but not too much that he's gonna throw a chair across the room.

Good Grief- A slightly faster pace on this song that makes me think of a combination of hard rock and a throwback to 80's pop in that while it rocks, you can still snap your fingers and dance from side to side. i don't know, that's just me i guess.

Floaty- an acoustic style intro goes over to a point that makes this song live up to it's name. I really feel like i'm running slow motion on some clouRAB or something. The added flanger on Dave's voice is a nice and slightly psychadelic touch.

Weenie Beenie- Now this is a real rocker! The vocals are really muffled in this one, even in the chorus. It seems to harken back to some punk roots for these guys.

Oh, George- The chorRAB in this song give a very worried tone, like a train about to crash, and at the same time a kind of sad one. also the first song on here with a solo. It ain't great, but hey it's a solo.

For All the Cows- Bit of a jazzy feel on this one, with the drums sounding like snapping fingers. then it dives into some rock and right back to before. apparently this song is about cows :P

X-Static- *strumming a chord* *strumming a chord*, then drums and bass come in. *still strumming*, then vocals come in. then backup vox come in on th chorus. a bit relaxed for a song called X-Static.

Wattershed - The riff at first made me think i was gonna hear some nu-metal, but then it kicks in to quick, hard rocking song that'll get you headbanging. at a certain point they get all weird time signature on you, but it's really subtle and you might not notice it at first.

Exhausted- a song with this name seems like it belongs at the very end of the album. This was the Foo Fighter's first single, right before "This is a Call". well i can say the name definately fits it, it seems like it's very tired and just wants to go to bed. I think of some poor shmuck who has to go everyday to a job he hates when i hear this song.
 
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