It doesn't matter what size screen you watch a movie on, eventually your eyes/brain will accommodate to it. It's not the 3D glasses which cause Imax's apparent shrinkage, it's you.
The angle of view of the human eye is so large that the size of screen required to fill it is beyond even Imax and neeRAB Circlevision or Imax projected onto a dome and even then it's a close run thing.
The reasons why 3D tv is usually so poor on normal sets:
the small screen and poor resolution are barely able to cope with the extra info needed for 3D, even on the best sets.
It's illegal to show an image on tv which can't be seen correctly with the naked eye, hence tv's reliance on colour fringing (the equivalent of red/green glasses) or Pulfrich's Effect which is a pseudo 3D needing glasses with one lens darker and differently tinted from the other.
All the classic 50's 3D movies, whether monochrome or colour were shot using the Polaroid system but called it many fanciful names: Spacevision, Natural Vision etc.
Most people's memories of them are from later reissues when red/green galsses were used; very few people will have seen the original Polaroid versions.
My own personal favourites are Creature from the Black Lagoon and It Came from Outer Space.
The Bubble and Flesh for Frankenstein are both awful movies but very good examples of colour 3D, made in Spacevision by its inventor, Robert Bernier.
If you ever get the chance to see any of them in a cinema, don't hesitate!
