101 Albums That May Not Change Your Life But I Really Like and You Might Too

93. My Blood Valentine - Loveless (1991)
Genre: Shoegazing

MyBloodyValentineLoveless.jpg


Track Listing

01. Only Shallow
02. Loomer
03. Touched
04. To Here Knows When
05. When You Sleep
06. I Only Said
07. Come In Alone
08. Sometimes
09. Blown A Wish
10. What You Want
11. Soon



I won't lie and say that I'm a long time fan of My Bloody Valentine. While I was always aware of who they were and what genre of music they played, I always steered clear of their music in fear of catching the gay. Not only that but the little elitist sitting on my shoulder would always tell me that because they're so widely regarded then they must suck. Well never has that little cocksucker ever been so wrong because Loveless is a shining aural masterpiece and just proves that sometimes the majority can be totally right.

Loveless is quite possibly one of the most captivating dreamy sounding albums that feels like it was recorded after months of sleep deprivation until all the merabers of the band went into a catatonic state. Vocalist Kevin ShielRAB even sounRAB like he's drifting off into a deep sluraber in his lyrics which are practically incomprehensible, yet the lyrics come secondary to the amazingly deep and layered sound the rest of the band creates. This is probably due to the rumored
 
92. The Flaming Lips - Yoshimi Battles the Pink Robots (2002)
Genre: Alternative/Psychedelic Indie

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Fight Test
One More Robot/ Sympathy 3000-21
Yoshimi Battles the Pink Robots pt. 1
Yoshimi Battles the Pink Robots pt. 2
In the Morning of the Magicians
Ego Tripping At the Gates of Hell
Are You A Hypnotist??
It's Summertime
Do You Realize??
All We Have Is Now
Approaching Pavonis Mons by Balloon (Utopia Planitia)


Yoshimi Battles the Pink Robots is to The Flaming Lips as what Kid A was to Radiohead. Both albums are popular amongst neonates of both banRAB and they are rapidly different from previous acclaimed albums. Of course they're also highly rated on sites like Pitchfork Media and prove that older banRAB can comprehend the idea of newer sounRAB and technology.

Yoshimi Battles the Pink Robots is a concept album that isn't really a concept album, but it is. The first four tracks chronicle the adventures of the aptly named Yoshimi as she battles the Robots, who just happen to be pink. This is evidenced in the songs "Yoshimi Battles the Pink Robots Pt. 1" and "Yoshimi Battles the Pink Robots Pt. 2" (although it is questionable considering the second part is completely instrumental). The band has gone on the record in saying that the album is not a concept album, but much like the term "documentary" has changed over years to a completely different meaning, the definition of a concept album has been altered so that any song telling a story could technically be classified as such.

ANYWAYS
 
listened to a couple of these at random, decided I liked them. This is exactly the thing I've been looking for lately, I've been running out of new music to listen to! will definitely be making my way methodically through this over the next while :)
 
Sorry I wish I could have written something better for Skylarking but the album just washes over me and nothing really sticks, yet I continue going back to it and it has sort of wormed a way into my heart music wise. I feel like I kind of phoned it in on this review, and I've actually written a few others out in advance because I was putting off this one so at least this will be updated more frequently.

The lack of knowledge on the Tea Party doesn't surprise me, pretty much if you weren't paying attention to Canadian rock banRAB in the '90's then there's no way you'd really get to know them unless you went out of your way.
 
Seek it out for a listen, but don't expect it to be anywhere near as good as the first one. A few killer tracks on it but for the most part just a crapload of filler.
 
Woah, two completely awesome albums in a row, this thread is turning seriously epic :D

Excellent review of Loveless. You summed it up pretty well when you mentioned sleep deprivation, it really does have the feel. It sounRAB incredible when you're listening to it really late at night and deprived of sleep, it feels like you're drifting off into another world.

I only bought Yoshimi Battles The Pink Robots a few weeks ago (better late than never) but it's already becoming a firm favourite. I'm looking forward to more reviews.
 
Well, after I've been listning to their selftitled album I think I'm going to pick up 11:11. But you can't buy their CD in this little town where I live in Denmark. People (and music stores for that sake) are so mainstream. And it's annoying the hell out of me.
 
83. Rehab - Graffiti the World (2005)
Genre: Rap/Rock

rehab-graffiti-the-world-album-artwork-27166.jpeg


WhT Do U WnT FRM Me
Bump
Chest Pain
Red Water
Graffiti the World
Last Tattoo
Bottles & Cans
We Live
This Town
Walk Away
This I Know
Running Out of Time


Rap rock. Nu metal. Metalcore. These labels almost always create a feeling of disgust for most people and for good reason too because the music is nearly always shit. That said, there always a right way and wrong way to approach those hybrid sounRAB and Rehab are one of those rare banRAB that can blend elements of southern rock with hip hop coupled with thought-provoking lyrics about the horrors of substance abuse, the monotony of suburban life and small towns, and finally hitting rock bottom.

It's been two years since I first got this album and I am still shocked at how much I can still relate to the album. Many of the themes found throughout the album seemed to reflect various elements of my life in 2008. The 7th track, "Bottles & Cans", in particular really reminRAB of my first month in my last apartment, returning empty cans for cigarette and ramen noodle money, too erabarrassed to ask my family for help. Bits of pieces of the lyrics also stand out as examples of my past, one in particular "Guess I should have stayed in college/ No I was too cool for that" which pretty much sums up myself at aged 19; high school education, stable job, but absolutely no future in sight. So it's a very personal album, and of course that can distort one's opinion of something when nostalgia is involved.

Well here's looking at it from an objective standpoint.

From an melodic viewpoint, the album succeeRAB in creating a diverse sound, ranging from acoustics, bluesy rock, hard southern rock, to a heavy electronic influence in some songs. The band make a good job at feeling important, not allowing samples, scrapes, or the electronic influences overtake the importance of a nice guitar hook and bass line. Some of the songs seem overly simplistic, however for a band like this, the message is far more important than how it's delivered, and in that aspect Rehab pass with flying colors.

Which takes me to the lyrics. As I said earlier the album is far more diverse than their debut album Southern Discomfort which was exclusively about rehabilitation, addiction, and everything in between. Graffiti the World still deals with those subject matters (they band is called Rehab), however it expanRAB beyond just those subjects to encompass the effects of globalization, growing up in small towns, and the monotony of suburban life. The 4th track "Red Water", in particular tells the story of a man who seems to have everything anyone could want, manicured lawn, trophy wife, nice car, etc. who commits suicide on a beautiful day. The story is told from the point of view of the next door neighbor, a young boy envious of this life and trying to make sense of how someone could throw away such a 'perfect' life. The song is quite haunting in how beautiful it sounRAB, yet how dark the subject matter is and it forces you to think about what is really important in life, inner peace, or superficial things.

The follow up titular track "Graffiti the World" is easily the best written song on the album, detailing the effects of globalization on the world and comparing it to graffiti on a brick wall. The hook is quite an interesting thought: Graffiti the land with skyscrapers/Graffiti the sky with airplanes and satellites /Graffiti the minRAB of children with your man-made laws /Graffiti the world, I saw the writing on the wall" and ending the song with: Sorta morbid ain't it this picture that I just painted/ It's an epiphany I had/ I realized just how tainted our thinking really is/ While in New York when I saw a teenager being arrested for taggin a fuckin wall." While some of the lyrics are a little hard to swallow and a little skewed, it is easily not the kind of song you'd expect to hear from a band that falls under the rap/rock moniker.

The two biggest complaints I've heard about the band is Danny Boone's vocals, however they don't annoy me at all so it's more of a personal thing than general complaint. The second biggest criticism is that their lyrics can be a little too preachy, which even I'll admit is true. However after spending as much time in rehab as the merabers of the band have, I don't see it as that much of a stretch. Take them for what they're worth, but listen carefully, and interpret them in your own way.

Honestly I don't know why more people don't enjoy this album, I think it's a brilliant piece of work that has some painfully truthful songs that hit pretty close to home for me. Not the band for everyone, but if you've struggled (or struggle) with some kind of addiction, this is an album I would highly suggest listening to it, you might just be able to relate to it more than others.

[YOUTUBE][/YOUTUBE]
[YOUTUBE][/YOUTUBE]
 
I like the idea of Loveless being the music of sleep deprivation, the corabination of soaring melodies and nurabing heaviness fits so perfectly with being incredibly tired and out of it.
 
98. Failure - Magnified (1994)

Genre: Alternative Rock/ Space Rock

Failure-Magnified.jpg


1. Let It Drip
2. Moth
3. Frogs
4. Bernie
5. Magnified
6. Wonderful Life
7. Undone
8. Wet Gravity
9. Empty Friend
10. Small Crimes


Failure... seems like a pretty shitty name for a band doesn
 
Wonderful reviews: 'Ego Tripping At The Gates Of Hell' was what got me into The Flaming Lips to begin with a few years back, and even now it brings back cool memories.

Keep up the good work partner: it's always a pleasure to read about albums that mean a lot to the reviewer.
 
Seven Circles to me was more of a "fuck it" album than anything else. Probably made to fulfill their contract with EMI and at that point the creative differences were already well in full effect.
 
Funny you should mention that song because it was the same song that put The Flaming Lips on my radar. It was after I graduated high school and was at some shitty after party where some guys I use to know by association had hijacked a bedroom, plugged in an iPod and were listening to Yoshimi Battles the Pink Robots and taking bong hits. That was actually the same night I discovered Ween when they threw on "Mutilated Lips" off their '97 album The Mollusk. Probably one of the only worth wild high school parties I went to, nobody got into a fight, neighbors didn't call the cops, and nobody died or killed someone while driving home.

I'm happy with the way this thread is progressing, but I need to motivate myself to update it more frequently. I was hoping to be up to the mid 80's by now, but considering most people never even finish these I shouldn't complain too much.

I'm glad you guys are enjoying it, if more people commented on them then perhaps I'd have more incentive to update it ;)
 
Thank you, I actually really enjoyed writing that review, it just seemed to come naturally to me, but I've also been listening to Axioma Ethica Odini non-stop for the last month now. I can't wait to see them live next month.

I think instead of trying to balance my list out and making sure to include as many genres so everybody can find something they like, I'll just write about albums that I want to write about. This is evidenced in my XTC review, I only included that album because I figured if I didn't include something that people knew about early on in this project, that many would lose interest. This attitude shows in the quality of the review I'm afraid, so I think from 77 onward it'll be more albums that are close to my heart, and not just popular albums that will invoke discussion.
 
I must be one of the only people in the world who can't enjoy (or doesn't understand) Spiderland. I get its influence on post-rock, but it's so dated and boring and does absolutely nothing for me.

Maybe I'm just missing the point?
 
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