R
RunningBear
Guest
Can anyone help me with some analysis of structure in films like 'Memento' and 'Irreversible' (if you know of any others I'd love to hear about them!), where the scenes are presented in reverse order?
I suppose the difficulty in making such a film is translating the end-middle-beginning of the story's conflict into a satisfying beginning-middle-end experience for the viewers. Do you think they achieved this? How?
Not strictly a books question, but a story question!
All thoughts welcome. Thanks.
I suppose the difficulty in making such a film is translating the end-middle-beginning of the story's conflict into a satisfying beginning-middle-end experience for the viewers. Do you think they achieved this? How?
Not strictly a books question, but a story question!
All thoughts welcome. Thanks.