M
Mere_Mortal
Guest
...what issues?
PSaying that death is all around us is as much a truism as saying that life is all around us. They go hand in hand.
There is precariousness to the revolutionary qualities of this medium. As photographers, we rely on a worldwide industry for the tools of our trade—no one among us can whip up a batch of Ektachromes at home, or call down to the corner store for a batch of Polaroids, or forge a f/5.6, 150mm lens in our workshop. We are at the mercy of the industry.
And that industry is in rapid flux. Unlike many other trades, a working commercial photographer cannot simply buy some equipment, develop his skills, and pursue a career for 30 years. Now, on the average of every 3-4 years, the equipment and software that one has recently mastered must be completely replaced and relearned. You cannot just own a camera, but you must have all of the attendant hardware and software to run the camera and process and store its images.
PSaying that death is all around us is as much a truism as saying that life is all around us. They go hand in hand.
There is precariousness to the revolutionary qualities of this medium. As photographers, we rely on a worldwide industry for the tools of our trade—no one among us can whip up a batch of Ektachromes at home, or call down to the corner store for a batch of Polaroids, or forge a f/5.6, 150mm lens in our workshop. We are at the mercy of the industry.
And that industry is in rapid flux. Unlike many other trades, a working commercial photographer cannot simply buy some equipment, develop his skills, and pursue a career for 30 years. Now, on the average of every 3-4 years, the equipment and software that one has recently mastered must be completely replaced and relearned. You cannot just own a camera, but you must have all of the attendant hardware and software to run the camera and process and store its images.