XxImpeccableAbsolutionxX
New member
Salutations.
I am looking for an alternate perspective in regards to the arrangement of this particular essay. It is currently a work in progress, and as such, it does not aspire to be even remotely perfect. I am yet to complete the final portion of the conclusion. I was required to provide an analytic elucidation in regards to the composition of a specific video.
I am currently 17 (grade 10)
It is as follows.
A multitude of signs and symbols permeate this particular piece.
Given the incontrovertibly ambiguous nature of this particular medium, it is virtually impossible to effectively confine it to a specific classification. Art has a variety of individualistic interpretations and attributions. Of course, ‘The Reflecting Pool’ is no exception to this impeccably resolute notion of unrestrained ambiguity. A reasonable amount of concentration has obviously been invested in the evident profusion of meticulously arranged constituents and elaborate attention to detail. The camera remains situated in a stationary position throughout the entire duration of the film. The initial evaluation process revealed an undeniable presence of vibrantly radiating colors and textures. The scene appears to be located in an isolated, forested area.
A mellifluous atmosphere proclaims a predominant existence.
After several minutes of deliberate procrastination, a male subject decides to reveal his presence and ultimately assume a position on the visible edge next to the pool. The subject then continues to remain completely stationary for an approximate, additional 40 seconds before progressing to the next phase of action. The subject is subsequently frozen in a state of suspended animation. The action sequence is accompanied with consistent, congenial sounds that provide instant gratification while simultaneously stimulating the senses.
As to the artist’s intentions when initiating the development of such a project, one cannot help but ponder as to the desired objective. One cannot possibly ascertain the precise purpose for the formulation and construction of a seemingly simplistic project. I have received a diverse range of explications in regards to this particular piece. When issued with a proposition of supposition, the immediate responses were primarily predicated on mere speculation. Is that not what “art” is about, speculation. Certain reactions were anticipated with uncompromising penetration. After extensive cogitation and assiduous reiteration, several potential ideas presented themselves.
Perhaps such sequences represent a concise depiction of transitions regarding life and death. Upon conception, we are ultimately doomed to an inevitable demise. As to how we choose to confront such an end is entirely an individual, personalized decision. Yet, regardless, we are still presented with natural processes regarding elimination. We are merely biological entities, completely vulnerable to disintegration in relation to consistency of time progression. Time remains vigilant, and a prominent adversary. Completely uncompromising, indiscriminate, without evidence of consciousness. Such insignificant, diminutive creatures cannot interfere nor manipulate such processes. We cannot help but attempt to enjoy the seemingly expeditious time we are permitted
Please provide me with feedback.
I am looking for an alternate perspective in regards to the arrangement of this particular essay. It is currently a work in progress, and as such, it does not aspire to be even remotely perfect. I am yet to complete the final portion of the conclusion. I was required to provide an analytic elucidation in regards to the composition of a specific video.
I am currently 17 (grade 10)
It is as follows.
A multitude of signs and symbols permeate this particular piece.
Given the incontrovertibly ambiguous nature of this particular medium, it is virtually impossible to effectively confine it to a specific classification. Art has a variety of individualistic interpretations and attributions. Of course, ‘The Reflecting Pool’ is no exception to this impeccably resolute notion of unrestrained ambiguity. A reasonable amount of concentration has obviously been invested in the evident profusion of meticulously arranged constituents and elaborate attention to detail. The camera remains situated in a stationary position throughout the entire duration of the film. The initial evaluation process revealed an undeniable presence of vibrantly radiating colors and textures. The scene appears to be located in an isolated, forested area.
A mellifluous atmosphere proclaims a predominant existence.
After several minutes of deliberate procrastination, a male subject decides to reveal his presence and ultimately assume a position on the visible edge next to the pool. The subject then continues to remain completely stationary for an approximate, additional 40 seconds before progressing to the next phase of action. The subject is subsequently frozen in a state of suspended animation. The action sequence is accompanied with consistent, congenial sounds that provide instant gratification while simultaneously stimulating the senses.
As to the artist’s intentions when initiating the development of such a project, one cannot help but ponder as to the desired objective. One cannot possibly ascertain the precise purpose for the formulation and construction of a seemingly simplistic project. I have received a diverse range of explications in regards to this particular piece. When issued with a proposition of supposition, the immediate responses were primarily predicated on mere speculation. Is that not what “art” is about, speculation. Certain reactions were anticipated with uncompromising penetration. After extensive cogitation and assiduous reiteration, several potential ideas presented themselves.
Perhaps such sequences represent a concise depiction of transitions regarding life and death. Upon conception, we are ultimately doomed to an inevitable demise. As to how we choose to confront such an end is entirely an individual, personalized decision. Yet, regardless, we are still presented with natural processes regarding elimination. We are merely biological entities, completely vulnerable to disintegration in relation to consistency of time progression. Time remains vigilant, and a prominent adversary. Completely uncompromising, indiscriminate, without evidence of consciousness. Such insignificant, diminutive creatures cannot interfere nor manipulate such processes. We cannot help but attempt to enjoy the seemingly expeditious time we are permitted
Please provide me with feedback.