I went to see 'A Single Man' at the Odeon Covent Garden the other week, and they were making a big deal about how it was being digitally projected and how this was 'the future of cinema'.
To be honest I was quite disappointed with the picture quality; it was like looking at the scenes as intricate mosaics - visible pixellation everywhere and all the time.
True it didn't have the dust/dirt of a film projection but somehow I find that a lot less distracting than this mess of tiny squares that they're calling 'the future of cinema'. I'm used to the black crackles - it's part of what makes cinema unique.
Obviously i understand the logic behind transferring old prints to digital before they degrade, but surely a newish film print deserves to be shown in its infinite analogue glory?
I know this wasn't an IMAX cinema/film so maybe with increased resolution I wouldn't notice the pixels, but this rather raises the questions why they have bothered to install sub-standard digital projection in this kind of cinema in the first place, as it obviously isn't up to it.
I have been gradually won round to 'softer' digital broadcast TV because I see the benefit in terms of overall signal quality, and you're usually dealing with lines on a display anyway. But surely cinema is all about the best possible picture, and the projection of an infinitesimally thin beam of light is always going to beat any upper limit of megapixels, isn't it?
Do people agree/disagree?
NB. I don't know whether this particular film was shot on film or digital, perhaps that makes a difference?
To be honest I was quite disappointed with the picture quality; it was like looking at the scenes as intricate mosaics - visible pixellation everywhere and all the time.
True it didn't have the dust/dirt of a film projection but somehow I find that a lot less distracting than this mess of tiny squares that they're calling 'the future of cinema'. I'm used to the black crackles - it's part of what makes cinema unique.
Obviously i understand the logic behind transferring old prints to digital before they degrade, but surely a newish film print deserves to be shown in its infinite analogue glory?
I know this wasn't an IMAX cinema/film so maybe with increased resolution I wouldn't notice the pixels, but this rather raises the questions why they have bothered to install sub-standard digital projection in this kind of cinema in the first place, as it obviously isn't up to it.
I have been gradually won round to 'softer' digital broadcast TV because I see the benefit in terms of overall signal quality, and you're usually dealing with lines on a display anyway. But surely cinema is all about the best possible picture, and the projection of an infinitesimally thin beam of light is always going to beat any upper limit of megapixels, isn't it?
Do people agree/disagree?
NB. I don't know whether this particular film was shot on film or digital, perhaps that makes a difference?