M
Missy V
Guest
What potential advantages does having characters "sound different" bring to the writer when trying to develop a character?
What does Anne Lamott mean when she suggests that dialogue "encompasses both what is said and what is not said." What does it mean (what is the result) for a writer to restrain the dialogue of her characters?
What does Anne Lamott mean when she suggests that dialogue "encompasses both what is said and what is not said." What does it mean (what is the result) for a writer to restrain the dialogue of her characters?