I don't know, that's the issue.
He's prolly the only artist from the post-graffito generation who is actively making money outside of galleries. I reckon if you explore the work, you might say that some of it is crass and obvious but when put in it's proper context, it's fantastic,
He's prolly the only artist from the post-graffito generation who is actively making money outside of galleries. I reckon if you explore the work, you might say that some of it is crass and obvious but when put in it's proper context, it's fantastic,
